SOME REFLECTIONS ON CHAUCER'S ART POETICAL : PROCEEDINGS 1950

SOME REFLECTIONS ON CHAUCER'S ART POETICAL : PROCEEDINGS 1950
Title SOME REFLECTIONS ON CHAUCER'S ART POETICAL : PROCEEDINGS 1950 PDF eBook
Author Dorothy Everett
Publisher
Pages 24
Release 1950
Genre
ISBN

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Some Reflections on Chaucer's 'art Poetical.'

Some Reflections on Chaucer's 'art Poetical.'
Title Some Reflections on Chaucer's 'art Poetical.' PDF eBook
Author Dorothy Everett
Publisher
Pages 24
Release 1971
Genre
ISBN

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Some Reflections on Chaucer's ʻart Poetical.̕

Some Reflections on Chaucer's ʻart Poetical.̕
Title Some Reflections on Chaucer's ʻart Poetical.̕ PDF eBook
Author Dorothy Everett
Publisher
Pages 36
Release 1952
Genre English language
ISBN

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Some Reflections on Chaucer's "Art Poetical" ; Sir Israel Gollancz Memorial Lecture, 1950

Some Reflections on Chaucer's
Title Some Reflections on Chaucer's "Art Poetical" ; Sir Israel Gollancz Memorial Lecture, 1950 PDF eBook
Author D. Everett
Publisher
Pages
Release 1953
Genre
ISBN

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The Poetry of Chaucer

The Poetry of Chaucer
Title The Poetry of Chaucer PDF eBook
Author John Gardner
Publisher Carbondale, Ill. : Southern Illinois University Press
Pages 456
Release 1977
Genre Literary Criticism
ISBN

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Close analyses of Chaucer's major and minor works draw on the entire body of Chaucerian criticism of the past twenty years and stresses Chaucer's continuing importance.

Chaucer

Chaucer
Title Chaucer PDF eBook
Author J. J. Anderson
Publisher London : Macmillan
Pages 264
Release 1974
Genre Literary Criticism
ISBN

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Chaucer's discussion of marriage - Chaucer the Pilgrim - Interpretation of Chaucer's Knight's Tale - Idiom of popular poetry in the Miller's Tale - Irony in the Wife of Bath's Tale - The Nun's priest's Tale - The Canon's Yeoman's Tale.

The Rhetorical Poetics of the Middle Ages

The Rhetorical Poetics of the Middle Ages
Title The Rhetorical Poetics of the Middle Ages PDF eBook
Author Robert O. Payne
Publisher Fairleigh Dickinson Univ Press
Pages 312
Release 2000
Genre Literary Criticism
ISBN

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"How does one understand and manipulate figurative language? How does one evoke and harness emotion constructively? And how does one recall while revivifying the ambiguous compositions of earlier poets in different traditions for an immediate audience and for projected future audiences? In postmodern terms, these questions for the medieval poet invite scholarly attention to heteroglossia, stylistic polyphony, and the orchestration of various levels of figurative language."--BOOK JACKET.