SOME REFLECTIONS ON CHAUCER'S ART POETICAL : PROCEEDINGS 1950
Title | SOME REFLECTIONS ON CHAUCER'S ART POETICAL : PROCEEDINGS 1950 PDF eBook |
Author | Dorothy Everett |
Publisher | |
Pages | 24 |
Release | 1950 |
Genre | |
ISBN |
Some Reflections on Chaucer's 'art Poetical.'
Title | Some Reflections on Chaucer's 'art Poetical.' PDF eBook |
Author | Dorothy Everett |
Publisher | |
Pages | 24 |
Release | 1971 |
Genre | |
ISBN |
Some Reflections on Chaucer's ʻart Poetical.̕
Title | Some Reflections on Chaucer's ʻart Poetical.̕ PDF eBook |
Author | Dorothy Everett |
Publisher | |
Pages | 36 |
Release | 1952 |
Genre | English language |
ISBN |
Some Reflections on Chaucer's "Art Poetical" ; Sir Israel Gollancz Memorial Lecture, 1950
Title | Some Reflections on Chaucer's "Art Poetical" ; Sir Israel Gollancz Memorial Lecture, 1950 PDF eBook |
Author | D. Everett |
Publisher | |
Pages | |
Release | 1953 |
Genre | |
ISBN |
The Poetry of Chaucer
Title | The Poetry of Chaucer PDF eBook |
Author | John Gardner |
Publisher | Carbondale, Ill. : Southern Illinois University Press |
Pages | 456 |
Release | 1977 |
Genre | Literary Criticism |
ISBN |
Close analyses of Chaucer's major and minor works draw on the entire body of Chaucerian criticism of the past twenty years and stresses Chaucer's continuing importance.
Chaucer
Title | Chaucer PDF eBook |
Author | J. J. Anderson |
Publisher | London : Macmillan |
Pages | 264 |
Release | 1974 |
Genre | Literary Criticism |
ISBN |
Chaucer's discussion of marriage - Chaucer the Pilgrim - Interpretation of Chaucer's Knight's Tale - Idiom of popular poetry in the Miller's Tale - Irony in the Wife of Bath's Tale - The Nun's priest's Tale - The Canon's Yeoman's Tale.
The Rhetorical Poetics of the Middle Ages
Title | The Rhetorical Poetics of the Middle Ages PDF eBook |
Author | Robert O. Payne |
Publisher | Fairleigh Dickinson Univ Press |
Pages | 312 |
Release | 2000 |
Genre | Literary Criticism |
ISBN |
"How does one understand and manipulate figurative language? How does one evoke and harness emotion constructively? And how does one recall while revivifying the ambiguous compositions of earlier poets in different traditions for an immediate audience and for projected future audiences? In postmodern terms, these questions for the medieval poet invite scholarly attention to heteroglossia, stylistic polyphony, and the orchestration of various levels of figurative language."--BOOK JACKET.