Paul Atkinson explores the remarkable world of opera through his fieldwork with the internationally known Welsh National Opera company. In order to show us how cultural phenomena are produced and enacted, he takes us on stage and behind the scenes into the collective social action that goes into the realization of an opera. The author demonstrates how artistic interpretation is translated into the routine work of the rehearsal studio and the theatre, and how producers negotiate a practical reality with her or his performers to ultimately create extraordinary performances through the mundane, everyday work that makes them possible. The author calls for a sustained investigation of cultural phenomena, not based solely on textual analysis but on the importance of collective work and social organization. Atkinson's work will appeal to anthropologists and sociologists who study the performance arts, as well as to those engaged in theatre arts, opera and music.

A Generation Later moves beyond analytical models of rural change that focus on the peasant/agricultural aspect of rural communities and makes a convincing case for an approach that integrates farm and nonfarm occupations and does justice to the conditions of occupational multiplicity that characterize, to an increasing extent, many of the rural communities in Asia. In this context, it challenges conventional (and simplistic) "peasant to proletarian" views of change. Rather than finding a dreary and dispirited landscape of sameness and hardship, it offers some empirical support for amore optimistic view of the region's future, one of growing household prosperity and widespread individual opportunity.

After a college student is killed, Police Chief Scott Parris turns to an aging shaman, who had visions of the killing, to track down the person responsible before they can kill again.