div Located in the northernmost reaches of Russia, the islands of Solovki are among the most remote in the world. And yet from the Bronze Age through the twentieth century, the islands have attracted an astonishing cast of saints and scoundrels, soldiers and politicians. The site of a beautiful medieval monastery—once home to one of the greatest libraries of eastern Europe—Solovki became in the twentieth century a notorious labor camp. Roy Robson recounts the history of Solovki from its first settlers through the present day, as the history of Russia plays out on this miniature stage. In the 1600s, the piety and prosperity of Solovki turned to religious rebellion, siege, and massacre. Peter the Great then used it as a prison. But Solovki’s glory was renewed in the nineteenth century as it became a major pilgrimage site—only to descend again into horror when the islands became, in the words of Alexander Solzhenitsyn, the “mother of the Gulag” system. From its first intrepid visitors through the blood-soaked twentieth century, Solovki—like Russia itself—has been a site of both glorious achievement and profound misery. /DIV

"The site of a beautiful medieval monastery - once home to one of the greatest libraries of eastern Europe - Solovki became in the twentieth century a notorious labor camp. Roy Robson recounts the story of Solovki from its first settlers through the present day, as the history of Russia plays out on this miniature stage. In the 1600s, the piety and prosperity of Solovki turned to religious rebellion, siege, and massacre. Peter the Great then used it as a prison. But Solovki's glory was renewed in the nineteenth century as it became a major pilgrimage site - only to descend again into horror when the islands became, in the words of Alexander Solzhenitsyn, the "mother of the Gulag" system."--Jacket.

First Published in 1996. The Russian Theatre Archive makes available in English the best avantgarde plays, from the pre-Revolutionary period to the present day. It features monographs on major playwrights and theatre directors, introductions to previously unknown works, and studies of the main artistic groups and periods. Plays are presented in performing edition translations, including (where appropriate) musical scores, and instructions for music and dance. Whenever possible the translated texts will be accompanied by videotapes of performances of plays in the original language. Prison camp theatre is a theme justified by actual life, even though the marriage of such concepts as 'theatre' and 'prison camp' may appear, to the ordinary mind, preposterous.

Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.

Volume 2 of the gripping epic masterpiece, The story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for Nearly a decade

This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.