A total of 35 solos for soprano recorder (advanced) or flute (intermediate). Introduction includes hints for performance in school or church, use with a sound system, fingering chart for recorder high notes, and notes regarding special techniques, such as double tonguing, vibrato and recorder glissando. Final pages are a unique section of carol-specific historical notes, including Internet addresses. Includes all favorite Christmas carols as well as gems from the Oxford Book of Carols. Ideal for use in church services and Christmas-season concerts, or with carolers. These instrumental solos give new meanings to age-old expressions of the Christmas spirit.

Here's a book you'll be pulling off the shelf for many Christmases to come. A Celtic Recorder Christmas is a treasury of 24 Irish, Scottish, Welsh and English holiday carols suitable for both soprano and tenor instruments. Simple duets for two recorders, a round for three, and arrangements for solo recorder with guitar chords are all printed on a large, easy to read staff and lavishly adorned with Celtic calligraphy. From the hauntingly beautiful melodies of the Hebrides, to the ancient airs of Ireland, to the familiar Yuletide tunes of Wales, England and Scotland, these songs are sure to warm your heart and rouse the spirit of this giving season in a way no other music can.

These 45 early-American melodies work especially well on the soprano recorder. They provide excellent material for developing skills in rapid tonguing, extended breath-control, and the playing of high notes. Many of these melodies have roots in the Old World. for example, La Cachucha, La Cracovienne, and La Smolenska were brought to America by the amazing ballerina Fanny Elssler. (For her White House performance, Congress adjourned early!) Although arranged primarily for soprano recorder, most of the solos can be played on tenor or alto recorder. (On the alto, use C fingerings.) A separate flute edition is available.

This collection is a treasury of melodies originating in Russia, Latvia, Poland, Bulgaria, Yugoslavia, and Hungary, including several from Yiddish and Klezmer sources. the solos are especially well suited to performance on the soprano recorder, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, and the playing of high notes. Arrangements of charming Russian folk tunes include Against the Red Sun and Jump Little Rabbit. Among old favorites are March Slav and In the Field Stood a Birch. Jewish melodies include Hava Nagilah, Hevenu Shalom Alechem and Varnitschkes. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use C fingerings.) A separate flute edition is available.

These American melodies sound great on a soprano recorder. They also provide excellent material for developing skills in rapid tonguing, extended breath-control, and the playing of high notes. This collection covers many kinds of music. Millions of Americans grew up singing Attisket Atasket, Put Your Little Foot, and Paddywhack. Immigrants brought delights like First Night in America and My Love Is in America. John Philip Sousa captured the Americana of his time in marches for all time, such as the Fairest of the Fair, King Cotton and Boy Scouts of America. All across the country, Americans sang and whistled Nine Hundred Miles, Gypsy Dave, and Pie in the Sky. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use C fingerings.) A separate flute edition is available.

These English, Scottish, and Welsh melodies are especially well suited to performance on the soprano recorder. They also provide excellent material for developing skills in rapid tonguing, extended breath-control, phrasing and the playing of high notes. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use C fingerings.) Old favorites include Bunessan, Colonel Bogey, My Eyes are Fully Open, and a few masterpiece solos by Handel and Purcell. Among the newly re-discovered gems are Earl Grey, I Wish You Would Marry Me Now, Kiss Me Quick My Mother Is Coming, and Small Birds Sweetly Singing. A separate flute edition is available.

The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, phrasing, and the playing of high notes. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use "C" fingerings.) Three of the world's most famous melodies are here: Mildred Hill's "Happy Birthday" (originally "Good Morning to You"), Euphemia Allens' "Chopsticks" (originally "The Celebrated Chop Waltz"), and Effie Corckett's "Rock-a-Bye, Baby." Less well known delights include Faustina Hodges' "Because I'm Twenty-Five" and Florence Percy's "Fly Away," as well as Amanda Aldridge's "Dance of the Warriors"-and the list goes on and on. A separate flute edition is available.