"Rhetorical impact that pioneering and revolutionary Mexican female journalists had in shaping a new direction for women in Mexico during the late nineteenth and early twentieth century"--Provided by publisher.

Changing Women, Changing Nation explores the literary representations of women in Salvadoran and US-Salvadoran narratives during the span of the last thirty years. This exploration covers Salvadoran texts produced during El Salvador's civil war (1980–1992) and the current postwar period, as well as US-Salvadoran works of the last two decades that engage the topic of migration and second-generation ethnic incorporation into the United States. Rather than think of these two sets of texts as constituting separate literatures, Yajaira M. Padilla conceives of them as part of the same corpus, what she calls "trans-Salvadoran narratives"—works that dialogue with each other and draw attention to El Salvador's burgeoning transnational reality. Through depictions of women in trans-Salvadoran narratives, Padilla elucidates a "story" of female agency and nationhood that extends beyond El Salvador's national borders and imaginings.

Interested in improving contemporary urban life and the social relations that it contains, Alicia Framis has, for instance, spent the night with strangers, recording their dreams, and built a mobile platform where artists, architects and the public can develop and exchange ideas. Her work from 1994 to the present is collected here.

The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.

This essay collection examines the changing cultural, political and physical landscape of Spain as represented in Spanish crime fiction of the last three decades. The first several essays focus on crime fiction set in Barcelona and look at, among other topics, the symbiotic relationship between the city and the detective in Francisco Gonzalez Ledesma's long-running Inspector Mendez series, Manuel Vazquez Montalban's treatments of the 1992 Summer Olympic Games, and place and identity in Alicia Gimenez-Bartlett's Petra Delicado series. Other essays examine regional and cultural illiteracy in Jorge Martinez Reverte's Galvez series and Spain's changing urban centers as represented in Andreu Martin's El blues de la semana mas negra.

ONE OF THE MOST INFLUENTIAL AND BESTSELLING NOVELS OF THE MODERN FEMINIST MOVEMENT 'It was about the need to change things from top to bottom; it was a declaration of independence' OBSERVER 'The first and last international bestseller of the women's movement' GUARDIAN 'They said this book would change lives - and it certainly changed mine' JENNI MURRAY, BBC RADIO 4 A landmark in feminist literature, The Women's Room is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

Writers, editors, activists and prostitutes. Women along the US-Mexico border served in many more capacities than simply wives and mothers, though those were their primary roles. Historically, religion was the link between women and the written word. According to the editors of this volume, Mexican women—particularly those from the privileged classes—had access to secular reading beginning in the 1800s. In the late nineteenth and early twentieth centuries, several periodicals dedicated to the education of the “fairer sex” emerged. Though the male voice initially predominated, women began contributing poetry and essays to various publications and eventually became editors of their own magazines and newspapers. This collection of ten essays, based on the examination of publications from the US-Mexico region between 1850-1950, explores the role of women in print culture. Leading to a better understanding of women in the history of Mexican border life, the essays are organized in three thematic groupings: “Exploring the Archives: Women and Written Culture in Northeastern Mexico during the Late Nineteenth Century,” “The Cultural History of Women and Print Culture” and “A Transcultural View of Women and their Role as Activists in Northern Mexico and Texas.” The scholars who researched the archival collections of newspapers, magazines and other print matter write about a variety of topics, including the participation of women in the War of Independence (1810-1821) and the Mexican Revolution (1910-1920), the belief females were inferior and should not be educated outside the home and even the cultural history of prostitutes. Published as part of the Recovering the US Hispanic Literary Heritage project, this compendium of academic articles sheds light on women’s roles—especially as readers, writers and editors—in the Texas-Mexico border region in the late nineteenth and early twentieth centuries.