Bob Kaufman's life as a poet is unique to American literature. He kept no diary or journal, published no literary essays, wrote no reviews, and maintained no correspondences... Yet various schools of American poetry have sung his praises. Recognized early on as a major figure in the Beat Generation of writers and poets, Kaufman is also know as one of America's true surrealist poets, a premier jazz poet, and a major poet of the black consciousness movement.

"Mr. Kaufman has a genuine lyric talent, and his poetry is sensuous, exciting, and charged with vitality." --Publishers Weekly

“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts—Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s “Experience,” to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.

"Bob Kaufman's life is written on mirrors in smoke."--Jack Kerouac "So much did he embody a French tradition of the poet as outsider, madman, and outcast, that in France, Kaufman was called the Black Rimbaud."--David Henderson "He was an original voice. No one else talked like him. No one else wrote poetry like him."--Lawrence Ferlinghetti TheCollected Poems of Bob Kaufman brings together every known surviving poem by this major African-American surrealist, including the three books published in his lifetime,Solitudes Crowded with Loneliness,Golden Sardine, andThe Ancient Rain. With over 30 previously uncollected works,Collected Poems is the first comprehensive presentation of this truly original, streetwise autodidact and member of the Beat Generation. Included here are a foreword by devorah major, reminiscences by editors Raymond Foye and Neeli Cherkovski, and a biographical timeline by editor Tate Swindell, which chronicles this elusive poet's movements across the country and around the world.Collected Poems is a landmark poetic achievement and marks Kaufman's welcome return to City Lights Publishers. Praise forCollected Poems of Bob Kaufman: "With this magnetic new unveiling Bob Kaufman trenchantly sunders endemic retrocausal error and neglect that his casted his fate into a secondary enclave of lesser mastery. To set the story straight it was his spirit that helped sire the Ginsberg that we know and not vice versa. It was he who magically hoisted the invisible umbrella under which Kerouac and others such as Corso were enabled to protractedly flourish. Arrested 39 times for poetic brilliance via bravura he was the absolute contrary of the sterile academic scrounging for golden verbal eggs. Never concerned with immediate notoriety he passed across unerring emptiness as a poetic lahar sweeping in all directions at once. He volcanically en-veined the Beats as a mirage enveloped Surrealist; not as a formal poet, but one, like Rimbaud, who embodied butane. Following the scent of his butane on one anonymous North Beach afternoon led Philip Lamantia to audibly utter to me that Bob Kaufman as per incandescent singularity is 'our poet.'"--Will Alexander "Bob Kaufman is one our most vulnerable, mysterious and beautiful of poets, a nomadic maudit, surrealist saint of the streets, votary of silence, the consummate Outrider with trickster imagination and visionary power. What does it take to be such a poet-man, veils/layers of existence laced with hardship, suffering? Not many like this anymore. The Black American Rimbaud, as he was christened in France. His poems make me weep and bow with humility and wonder. I last saw him, shape-shifting shaman on Ken Kesey's stage in Oregon, swirling in a torque of rage, enlightenment, and prescience. Pure product of America's madness: fury and tenderness. The writing is complex and lays its soul baring down on jazz inflected syllables and riffs for all to read and tremble within. No serious canon is complete without this insistent rhythm, poetic acuity, and a body's last resort to sing."--Anne Waldman "Uplifting the voice of this under-sung literary master to future's light is the mission of theCollected Poems of Bob Kaufman. This poet's poet on the cliff edge of no ledge is still continuing to foster new surrealizations. Read this bebopian wordsmith, his pen turned saxophone and ink notes that are black tears."--Kamau Daaood

The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.