"Soldier Extraordinaire explores the colorful life and varied accomplishments of Brig. Gen. Frank "Pinkie" Dorn, an unusual player on the world stage during the 1920s and beyond World War II. Over the course of his 30-year Army career, Dorn manifested probing observations and analyses especially of Asia. He produced writings on subjects ranging from Philippine native tribes to Peking's Forbidden City and the origins of the Sino-Japanese War that began in 1937. Following the end of World War II, he was closely involved in Gen. Douglas MacArthur's brilliant occupation and pacification of Japan. Beyond his military successes, Dorn created world-class art, enjoyed cooking and writing cookbooks, was renowned for his cartography skills, and relished opportunities to comment on the frequent maelstroms and interplay of relevant personalities on social and military scenes."--Provided by publisher.

Students of history are taught historiography; while it's one thing to discuss the course and nature of history, it's quite another to focus on the individuals, the dramatis personae who are its heroes and victims, and the revealing details of their lives. One unusual player on the world stage during the years from the 1920s and beyond World War II was a member of the US Army who is the main subject of this multi-faceted study. He was Brig. Gen. Frank "Pinkie" Dorn (1901-81), whose nickname (sometimes spelled "Pinky") stemmed from his cadet days at West Point from 1919 to 1923. Certainly Clio, the goddess of history, must have been at her best when she inspired Dorn to embark upon the venture of writing about his life and the era and locations in which he lived and served.Whether Dorn might be considered a "great man," as suggested in the epigraph, his account is especially relevant regarding the presence of the United States military in Asia in the twentieth century and his own varied and involved Army career from 1919 to well after World War II. In the course of his years of service, Dorn manifested probing observations and analyses especially of Asia, where he was mainly stationed. During this time, he produced writings on numerous subjects such as his knowledge of Philippine native tribes and, through extensive explorations, much else about the islands. Also of importance were his detailed studies of Peking's Forbidden City, the origins and course of the Sino-Japanese War that began in 1937, and Burma's history early in World II. Throughout, his great love of China-especially Peking-and his mastery of the Chinese language were paramount. He always seemed to recognize and absorb various aspects of Pen-wei wen-hua, "China's own culture" as distinct from that of the West.Another perennial aspect of his career was his close contact with Gen. Joseph Warren Stilwell, who was the major commander of the Allied China-Burma-India (CBI) theater of operations in World War II and hence also closely involved in China and its struggles. Stilwell had studied the Chinese language in the 1920s; then in the late 1930s, he was the US xiv military attaché in China. Dorn was one of his assistant attachés and later in World War II, was Stilwell's aide for several years and commander of Chinese troops in the re-conquest of Burma. Following the end of World War II, Dorn was closely involved in Gen. Douglas MacArthur's brilliant occupation and pacification of Japan.Beyond these prime considerations, though, this study covers several books. It includes Dorn's basic biography, with some mention of his Irish and especially Dutch forbearers; his deep interest in lives of those with whom he was in contact; his world-class art; and even his cooking interests and writing of cookbooks, his considerable skills in cartography; details of life on several military cantonments in the United States and abroad at various times; and his close interrelations with various people of all walks of life.Dorn was also quite knowledgeable about the endemic folkways and Philistine culture of the US military establishment at all levels during his years of service. He especially focused on the frequent maelstroms and the interplay of relevant personalities on social and military scenes, revealing thereby layered dimensions. In any case, his account is a veritable tour de force. Dorn's autobiography, then, features a blend of varying depths and frequently sharp contrasts-extending from the frivolous to the sublime and profound. A rich tapestry, his work reveals that his insights were more than adequate for this rather grandiloquent, yet humbling, task. To be sure, it exudes much of the extraordinaire.

Uncertain Allies looks at the U.S. military’s experience in the China-Burma-India (CBI) theater during World War II through the eyes of Joseph Stilwell, the commanding general of all American forces in those three countries. Accomplished historian Eric Setzekorn, focuses on two key themes: uncertain allies and ambiguous missions. Despite being allies, relationships between the Americans and Chinese, as well as the Americans and the British, were marked by a profound lack of trust in the CBI theater. This was particularly problematic because most combat personnel under Stilwell’s command were Chinese. As a result, the lack of trust directly impacted tactical and operational planning. The second reoccurring theme, ambiguous missions, refers to the poorly defined goals for the theater. The CBI’s mission was vague, and Stilwell lacked clear objectives or benchmarks of success. Underlying both themes is the key flaw in Stilwell’s conduct in the CBI theater: a failure to understand the American political context in which he operated. Stilwell advocated for a transactional military and political relationship despite clear indications that President Roosevelt, other political leaders, and the American public at large desired a long-term cooperative relationship. In this context of deep and widespread public support for forging a close and lasting alliance with China, Stilwell’s proposals to make military aid and American support on a quid pro quo basis was an isolated position that inevitably ran into staunch opposition. The result was a dangerous disconnect between American military operations and national policy. Setzekorn, who is fluent in Chinese, relied on a wide variety of sources when writing this penetrating account of the U.S. military’s time in the CBI theater, including Chinese and Japanese language archival material. The declassification of numerous U.S. government sources over the past fifteen years also enables Setzekorn to make a full assessment and analysis of World War II-era strategic thinking and military policy.

One of the Atlantic's "Books to Get Lost in This Summer" Best Books of August 2023: New York Times Book Review, Christian Science Monitor, InsideHook, BookRiot, WNET AllArts, Arlington Magazine A trenchant reclamation of the Chinese American movie star, whose battles against cinematic exploitation and endemic racism are set against the currents of twentieth-century history. Born into the steam and starch of a Chinese laundry, Anna May Wong (1905–1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood’s most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—“Orientally yours.” Now, more than a century after her birth, Yunte Huang narrates Wong’s tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong’s rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a “Dragon Lady,” “Madame Butterfly,” or “China Doll,” Huang’s biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong’s all-too-brief fifty-six years on earth.

"Soldier Extraordinaire explores the colorful life and varied accomplishments of Brig. Gen. Frank "Pinkie" Dorn, an unusual player on the world stage during the 1920s and beyond World War II. Over the course of his 30-year Army career, Dorn manifested probing observations and analyses especially of Asia. He produced writings on subjects ranging from Philippine native tribes to Peking's Forbidden City and the origins of the Sino-Japanese War that began in 1937. Following the end of World War II, he was closely involved in Gen. Douglas MacArthur's brilliant occupation and pacification of Japan. Beyond his military successes, Dorn created world-class art, enjoyed cooking and writing cookbooks, was renowned for his cartography skills, and relished opportunities to comment on the frequent maelstroms and interplay of relevant personalities on social and military scenes."--Provided by publisher.

Lee Harrington, the central figure of the novel, is a young man trying to sort out his memories of the tales of the Civil War told him by his grandfather and his father, and to imagine what their lives must have been like, and what the War had done to them. The tale ranges from past to present, from Gettysburg and Savage's Station and Shiloh to present-day Kansas. Pennell employs a fragmented, interior-monologue narrative style, giving his reader a view of the War as his characters must have experienced it, and he does it with amazing control.