Montana is a large state with diverse vegetation from Great Plains prairie and deciduous forest in the east to northern coniferous forest and alpine tundra in the west. Discovering the botanical secrets of this spectacular landscape began with indigenous peoples and continued through the 20th Century with early explorers, geographers and entrepreneurs followed by teachers, scientists and curious and dedicated lay persons. Montana's multitude of rugged mountains and wide open spaces means that botanical discoveries which started with the Lewis and Clark Expedition continue to this day. Montana's Pioneer Botanists brings together more than thirty biographies of these diverse people and traces the growth of botanical knowledge in this wild and beautiful state. Includes over 200 photos and illustrations and seventeen different authors, all botanists themselves.

Although a host of adventurers stormed west in 1806 after Lewis and Clark's safe return, seven of them left unique legacies because of their monumental journeys, their lionhearted spirit in the face of hardship, and the way their paths intertwined time and again. The Perilous West tells this riveting story in depth for the first time, focusing on each of the seven explorers in turn - Ramsay Crooks, Robert McClellan, John Hoback, Jacob Reznor, Edward Robinson, Pierre Dorion, and Marie Dorion. These seven counted the Tetons, Hells Canyon, and South Pass among their discoveries. More importantly, they forged the Oregon Trail-a path destined to link the Atlantic coast with the Pacific, spurring national expansion as it carried trappers, soldiers, pioneers, missionaries, and gold-seekers westward. The Perilous West begins in 1806, when Crooks and McClellan meet Lewis and Clark, and the vast expanse from the Dakotas to the Pacific coast appears a commercial paradise. The story ends in 1814, when a band of French Canadian trappers rescue Marie Dorion, and even John Jacob Astor's well-financed enterprise has ended in violence and chaos, placing the protagonists squarely in the context of Thomas Jefferson's monumental opening of the West, which stalled with the War of 1812.

Whether seen as a land of opportunity or as paradise lost, the American West took shape in the nation's imagination with the help of those who wrote about it; but two groups who did much to shape that perception are often overlooked today. Promoters trying to lure settlers and investors to the West insisted that the frontier had already been tamed-that the only frontiers remaining were those of opportunity. Through posters, pamphlets, newspaper articles, and other printed pieces, these boosters literally imagined places into existence by depicting backwater areas as settled, culturally developed regions where newcomers would find none of the hardships associated with frontier life. Quick on their heels, some of the West's original settlers had begun publishing their reminiscences in books and periodicals and banding together in pioneer societies to sustain their conception of frontier heritage. Their selective memory focused on the savage wilderness they had tamed, exaggerating the past every bit as much as promoters exaggerated the present. Although they are generally seen today as unscrupulous charlatans and tellers of tall tales, David Wrobel reveals that these promoters and reminiscers were more significant than their detractors have suggested. By exploring the vast literature produced by these individuals from the end of the Civil War through the 1920s, he clarifies the pivotal impact of their works on our vision of both the historic and mythic West. In examining their role in forging both sense of place within the West and the nation's sense of the West as a place, Wrobel shows that these works were vital to the process of identity formation among westerners themselves and to the construction of a "West" in the national imagination. Wrobel also sheds light on the often elitist, sometimes racist legacies of both groups through their characterizations of Native Americans, African Americans, Mexican Americans, and Asian Americans. In the era Wrobel examines, promoters painted the future of each western place as if it were already present, while the old-timers preserved the past as if it were still present. But, as he also demonstrates, that West has not really changed much: promoters still tout its promise, while old-timers still try to preserve their selective memories. Even relatively recent western residents still tap into the region's mythic pioneer heritage as they form their attachments to place. Promised Lands shows us that the West may well move into the twenty-first century, but our images of it are forever rooted in the nineteenth.

"Look up and down and round about you! A thousand Yellowstone Wonders are calling." -John Muir. America's first national park is truly nature's wonderland. Award-winning illustrator Dave Ember has captured the beauty and majesty of Yellowstone in intricate, mystical coloring designs of geysers, hot springs, and wildlife. Artists will love adding their imaginative touch to Old Faithful Geyser, Morning Glory Pool, trumpeter swans, Tower Fall, wolves, and the iconic bison. The book includes interpretive text and extra-heavy, perforated paper for coloring eight postcards and four bookmarks to share with family and friends.