The level of popular discontent—in the United States as elsewhere—has shown a dramatic increase in recent years, but has yet to crystallize into a cohesive anti-capitalist political force. Socialist Practice aims to contribute to a popular movement for socialism. It does so by 1) revisiting, under present conditions, longstanding questions of Marxist theory and revolutionary history, and 2) illustrating the range of issues, activities, and forms of expression that can both inform and be informed by a Marxist approach. Essays spanning a range of national experiences address the crying need to generate a society-wide awakening, grounded in purposeful discussion among all those (the vast majority) whose interests are ill-served by continuation of the status quo.

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

Socialism as a political system may be on the wane, yet no one can doubt that its cultural legacies will make themselves felt for years to come, and on a worldwide scale. The contributors to this volume adopt a variety of anthropological approaches to illuminate changes which have removed socialists from power in many countries. Presenting detailed ethnographic accounts across a wide range of countries, they bring out the factors which have given socialism such a profound worldwide impact, including a substantial impact upon the discipline of anthropology itself. The first sustained and wide-ranging investigation of socialism by social anthropologists, this volume will enable readers to understand better how socialism has been experienced by millions of people and thereby to now better understand how they may cope with post-socialist dilemmas.

The book Post-Socialist Translation Practices explores how Communism and Socialism, through their hegemonic pressure, found expression in translation practice from the moment of Socialist revolution to the present day. Based on extensive archival research in the archives of the Communist Party and on the interviews with translators and editors of the period the book attempts to outline the typical and defining features of the Socialist translatorial behaviour by re-reading more than 200 translations of children's literature and juvenile fiction published in the Socialist Federal Republic of Yugoslavia (SFRY). Despite the variety of different forms of censorship that the translators in all Socialist states were subject to, the book argues that Socialist translation in different cultural and linguistic environments, especially where the Soviet model tried to impose itself, purged the translated texts of the same or similar elements, in particular of the religious presence. The book also traces how ideologically manipulated translations are still uncritically reprinted and widely circulated today.

Assesses previous theories such as orthodox marxism, feminism, and nationalism, and proposes a unique new perspective for developing an alternative socialist vision.

The bastard step-child of Milton Friedman and Anthony Bourdain, Socialism Sucks is a bar-crawl through former, current, and wannabe socialist countries around the world. Free market economists Robert Lawson and Benjamin Powell travel to countries like Venezuela, Cuba, Russia, and Sweden to investigate the dangers and idiocies of socialism—while drinking a lot of beer.

How did the early-twentieth century socialist parties of Britain, France, and Germany cooperate with each other to create a united vision on international issues? Talbot Imlay offers a new perspective on how European socialists 'practised internationalism', addressing issues such as post-war reconstruction, European integration, and decolonization.