What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.

"Our contemplation of London must begin, as London began, at the river. The River Thames is a slow moving and rather murky body of water, flowing west to east, about a quarter to an eighth of a mile wide as it passes through the city. To this day, the sinewy thread of the Thames is London's most notable topographical feature, the curving line around which the metropolis orientates itself. As we have seen, this was not by chance. The Romans founded London in imitation of their own great capital city so that London, like Rome, sits on its river at exactly the spot where it narrows enough to bridge (see Map 1). That confluence of west-east river and south-north bridge made London both a military choke-point and an economic funnel long before our arrival sometime in 1550"--

On 26 May 1989, the final day of the season, Arsenal travelled to Anfield to face the mighty Liverpool, needing a two-goal victory to claim a championship that seemed for so many reasons to belong to their opponents. What followed was one of the most remarkable football matches at the end of one of the most dramatic and politically charged seasons in English football history; a season that marked the transition between old and new football and which would come to be seen as a threshold for astonishing changes not just in football but in the wider culture. Featuring interviews with the main players in this drama, including many of the legendary figures who took part in that famous final game, The Last Gameis a probing and resonant work of dramatic reportage that reflects on the stark changes the national sport has undergone in twenty tumultuous years. Journeying from the intense and hostile terraces of the 1980s, where male violence and tribalism coupled with decrepit stadiums led to tragedies like Heysel and Hillsborough, to the new commercialism that has engulfed the modern game, where fans have turned customers and, some say, security has come at the cost of identity, The Last Game tells the story of how a nation was changed by one astonishing game.

In the years following World War II the health and well-being of the nation was of primary concern to the British government. The essays in this collection examine the relationship between health and stress in post-war Britain through a series of carefully connected case studies.

The book incorporates three alternative conceptions of class. Erik Olin Wright's structural Marxist account is set alongside John Goldthorpe's occupational class schema, and the Registrar-General's prestige and skill-related categories. The authors use their unique data on inequality and conflict in contemporary Britain to provide, for the first time, a rigourous comparison of Marxist, sociological and official class frameworks. The book ranges widely across such topics as sectionalism in the workforce; privatism of families and individuals; fatalism; gender and class processes; sectoral production and consumption cleavages. The authors conclude that class is still crucial in structuring economic, political and social life.

During an election speech in 1957 the Prime Minister, Harold Macmillan, famously remarked that 'most of our people have never had it so good'. Although taken out of context, this phrase soon came to epitomize the sense of increased affluence and social progress that was prevalent in Britain during the 1950s and 1960s. Yet, despite the recognition that Britain had moved away from an era of rationing and scarcity, to a new age of choice and plenty, there was simultaneously a parallel feeling that the nation was in decline and being economically outstripped by its international competitors. Whilst the study of Britain's postwar history is a well-trodden path, and the paradox of absolute growth versus relative decline much debated, it is here approached in a fresh and rewarding way. Rather than highlighting economic and industrial 'decline', this volume emphasizes the tremendous impact of rising affluence and consumerism on British society. It explores various expressions of affluence: new consumer goods; shifting social and cultural values; changes in popular expectations of policy; shifting popular political behaviour; changing attitudes of politicians towards the electorate; and the representation of affluence in popular culture and advertising. By focusing on the widespread cultural consequences of increasing levels of consumerism, emphasizing growth over decline and recognizing the rising standards of living enjoyed by most Britons, a new and intriguing window is opened on the complexities of this 'golden age'. Contrasting growing consumer expectations and demands against the anxieties of politicians and economists, this book offers all students of the period a new perspective from which to view post-imperial Britain and to question many conventional historical assumptions.

'The Rise of Respectable Society' offers a new map of this territory as revealed by close empirical studies of marriage, the family, domestic life, work, leisure and entertainment in 19th century Britain.