"Across thousand miles away from home, chasing my dreams To have a fairy tale Chalet, to live in solace-- down to Paradise” Social Blues is a collection of poésie winding through woods of struggles and sufferings, but weave hopes of dreams , faith for peace and love for humanity.It is classic connoisseur for social renewal and who are aficionados of timeless piece of literature . The book represents newer type of allegory in form of ballads and blues poem with illuminated visions . The subjects of poems represent common vices and virtues but are sharply satirical of various kinds of modern culture. It adds personal touch to make poems more telling and compelling and each verse speaks a tale of its own …and relates with each of us our life experience.This heart-rending book explores solemn themes of serenity, dark-culture , loss, grief , healing , empowerment , inspiration courage, dreams , encouragement , freedom , peace and on modern chaos.The Balladry composed of 51 verses advocates” Humanity is one kind of magical spell in accomplishing harmony and tranquility in land of conflicts”As a poet , it will remind our obligation towards society and how can we together bring a major improvement in shaping the thoughts of our younger generation without inflicting the emotions.

Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the meaning of its lyrics, but through the concrete social activities that make up movements. Drawing from rich archival material, William Roy shows that the People's Songs movement of the 1930s and 40s, and the Civil Rights Movement of the 1950s and 60s implemented folk music's social relationships--specifically between those who sang and those who listened--in different ways, achieving different outcomes. Roy explores how the People's Songsters envisioned uniting people in song, but made little headway beyond leftist activists. In contrast, the Civil Rights Movement successfully integrated music into collective action, and used music on the picket lines, at sit-ins, on freedom rides, and in jails. Roy considers how the movement's Freedom Songs never gained commercial success, yet contributed to the wider achievements of the Civil Rights struggle. Roy also traces the history of folk music, revealing the complex debates surrounding who or what qualified as "folk" and how the music's status as racially inclusive was not always a given. Examining folk music's galvanizing and unifying power, Reds, Whites, and Blues casts new light on the relationship between cultural forms and social activity.

How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.

This groundbreaking book chronicles the history of sickle cell anemia in the United States, tracing its transformation from an "invisible" malady to a powerful, yet contested, cultural symbol of African American pain and suffering. Set in Memphis, home of one of the nation's first sickle cell clinics, Dying in the City of the Blues reveals how the recognition, treatment, social understanding, and symbolism of the disease evolved in the twentieth century, shaped by the politics of race, region, health care, and biomedicine. Using medical journals, patients' accounts, black newspapers, blues lyrics, and many other sources, Keith Wailoo follows the disease and its sufferers from the early days of obscurity before sickle cell's "discovery" by Western medicine; through its rise to clinical, scientific, and social prominence in the 1950s; to its politicization in the 1970s and 1980s. Looking forward, he considers the consequences of managed care on the politics of disease in the twenty-first century. A rich and multilayered narrative, Dying in the City of the Blues offers valuable new insight into the African American experience, the impact of race relations and ideologies on health care, and the politics of science, medicine, and disease.

Six lessons for integrating the blues to social-emotional learning. Such content includes: Lesson 1: Am I Blue Today?; Lesson 2: Field Hollers or Cry; Lesson 3: Spirituals as Acapella; Lesson 4: The Beginning; Lesson 5: Accompanying Instruments; Lesson 6: My Blues Song Form; and Worksheets. Besides the worksheets, the lesson plans include each lesson component.

During the last week of school, the students in Mrs. Hartwell's class try to come up with the perfect present for their teacher.

Social Identities: Multidisciplinary Approaches attempts to make sense of the increasingly complex ways in which we define ourselves and others. It recognises that we are not simply individuals, or members of a certain class or a certain nationality. Rather, each of us comprises a rich blend of various identities. The book provides not only an eclectic spectrum of the forms of identity and influences through which identities are formed, but also critical treatment of the theoretical tools used to understand these phenomena.