In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.

Discover William Maxwell’s classic, heart-breaking portrait of an ordinary American family struck by the 1918 Spanish Flu pandemic 'A story of such engaging warmth that it would thaw the heart of any critic... Will melt many a reader to tears’ TIME Elizabeth Morison is an ordinary woman. Yet, to eight-year-old Bunny, his mother is the centre of his universe. To Robert, her elder son, she is someone he must protect against the dangers of the outside world. And to her husband, James, she is the foundation on which his family rests and life without her is unimaginable. As the dark winter of 1918 dawns and the shadow of Spanish flu starts to disturb day-to-day life, a moving portrait of Elizabeth takes shape, set against the lives and fate of the Morison family. ‘As you read They Came Like Swallows, you catch yourself from time to time being astonished at how tightly you're gripping the pages... There isn't a word that has dated. It could have been written yesterday, or tomorrow’ Nicholas Lezard, Guardian

A NEW YORK TIMES BESTSELLER A GLOBE AND MAIL BESTSELLER A JIMMY FALLON BOOK CLUB PICK In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends—often in love, but never lovers—come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. "Utterly brilliant. In this sweeping, gorgeously written novel, Gabrielle Zevin charts the beauty, tenacity, and fragility of human love and creativity. Tomorrow, and Tomorrow, and Tomorrow is one of the best books I've ever read." —John Green On a bitter cold day, in the December of his Junior Year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy. Spanning over thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as artform, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

A mama cow’s devotion to her calf provides lessons in motherhood to a poor Southern woman in this novel of family, survival, and human-animal bonds. South Carolina, 1950s. Homemaker Sarah Creamer has been left to care for young Emerson Bridge, the product of an affair between Sarah’s husband and her best friend. But beyond the deep wound of their betrayal, Sarah is daunted by the prophecy of her mother’s words, seared in her memory since childhood: “You ain’t got you one good mama bone in you, girl.” When Sarah finds Emerson a steer to compete at an upcoming cattle show, the young calf cries in distress on her farm. Miles away, his mother breaks out of a barbed-wire fence to find him. When Sarah finds the young steer contently nursing a large cow, her education in motherhood begins. But Luther Dobbins is desperate to regain his championship cattle dynasty, and he will stop at nothing to win. Emboldened by her budding mama bone, Sarah is committed to victory even after she learns the winning steer’s ultimate fate. Will she too stop at nothing, even if it means betraying her teacher? One Good Mama Bone explores the strengths and limitations of parental love and the ethical dilemmas of raising animals for food.

"A highly anticipated debut novel from 5 Under 35 National Book Foundation honoree featuring a Korean War refugee who emigrates to Brazil to become a tailor's apprentice and confronts the wreckage of his past"--

The Outermost Dream brings together essays and reviews by William Maxwell, one of America's foremost writers and editors. Maxwell chose deliberately to focus on biography, memoir, diaries, and correspondence when reviewing books: "what people said and did and wore and ate and hoped for and were afraid of, and in detail after often unimaginable detail they refresh our idea of existence and hold oblivion at arm's length." In reading his reviews, we are struck by Maxwell's skill in choosing the one particular, the haunting moment, that further illuminates our understanding of the power of an individual life. His discernment is equally telling whether writing about literary luminaries such as Virginia Woolf, Lord Byron, E.B. White, Isak Dinesen, or delving into the diaries of an unknown Victorian curate with vivid dreams of murder and mayhem.

Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary world of the time; they talk of James Thurber, William Shawn, Katherine Anne Porter, J. D. Salinger, Isak Dinesen, William Faulkner, John Updike, Virginia Woolf, Walker Percy, Ford Madox Ford, John Cheever, and many more. It is a treasure trove of reading recommendations. Here, Suzanne Marrs—Welty’s biographer and friend—offers an unprecedented window into two intertwined lives. Through careful collection of more than three hundred letters as well as her own insightful introductions, she gives us “a vivid snapshot of 20th-century intellectual life and an informative glimpse of the author-editor relationship, as well a tender portrait of devoted friendship” (Kirkus Reviews).