With an introduction by Pulitzer Prize-winning writer and Washington Post music critic Tim Page Penned by veteran music writer, critic, and Grammy nominee Alan Rich, currently a music critic for the alternative paper LA Weekly, this book is a collection of music criticism gleaned from four decades of concert-going, opera-going, and record-listening on both coasts. Pulitzer Prize-winning writer and Washington Post music critic Tim Page provides the book's introduction. Included are reviews and essays on musicians, both well-known and obscure, who have shaped worldwide musical tastes during those years: conductors including Leonard Bernstein, Zubin Mehta, and Esa-Pekka Salonen; performers Glenn Gould and the overexploited David Helfgott; composers both familiar (Baroque masters, Mozart, Schubert) and contemporary (John Adams and John Cage). Probing essays include lively insights on music criticism itself and on where (if anywhere) music may (or may not) be heading in the new millennium. His writing drew from the formidable Virgil Thomson praise as "the most readable music reviewer ... our best muckraker."

A memoir of growing up in a large, noisy household in New Jersey and the life lessons learned from an older brother who suffered through MS

Reprint of the original, first published in 1838.

Now the whole world knows of the existence of World Shadows and espers. As the desire for power within the unconscious mind of the general public swells at the knowledge of this new form of power, the World Shadows grow stronger, marking a new turning point in the war between them and Amaterasu. (Blame Shouta, he got too OP.) But, entirely out of the blue, a new character shows up and crashes the secret organization, bringing with her a shocking backstory. Is she friend or foe? And what’s that? The police are getting involved?! Read along in this game of cat and mouse as science fiction clashes with fantasy and Kinemitsu Sago struggles to handle things when his carefully laid plans may or may not be going awry!