This work places Emily Dickinson's poetry in a new setting, examining the many ways in which Dickinson's literary style was affected by her experiences with tuberculosis and her growing fear of contracting the disease. The author gives an in-depth discussion on 73 of Dickinson's poems, providing readers with a fresh perspective on issues that have long plagued Dickinson biographers, including her notoriously shut-in lifestyle, her complicated relationship with the tuberculosis-stricken Benjamin Franklin Newton, and the possible real-life inspirations for her "terror since September."

This is the second volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents the complete poetical works of Emily Dickinson, with beautiful illustrations and the usual Delphi bonus material. (Version: 1) * Beautifully illustrated with images relating to Dickinson’s life and works * Concise introductions to the poetry and other works * For the first time in digital print, all 1775 poems by Dickinson * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Dickinson’s letters – spend hours exploring the poet’s literary life * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections POEMS : SERIES ONE POEMS : SERIES TWO POEMS : SERIES THREE The Poems THE COMPLETE 1775 POEMS LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Letters THE LETTERS OF EMILY DICKINSON Please visit www.delphiclassics.com to browse through our range of exciting titles

A Concordance to the Poems of Emily Dickinson is the third volume in the distinguished series "Cornell Concordances." Like the others, it was programmed on an IBM 704 electronic computer and provides an alphabetical list of all significant words—each word given in context. In order to provide variants, it was based on Thomas H. Johnson's three-volume edition of all the known texts of Emily Dickinson's poems. Included are an analytical preface by the editor and an index of words in the order of frequency.

A uniquely international anthology--in a beautiful pocket-sized hardcover--that explores the richly symbolic expressiveness of flowers through poems from around the world and through the ages. AN EVERYMAN'S LIBRARY POCKET POET. Floral symbols adorn the earliest poetry, and over the centuries they became increasingly entwined with myth and legend, with religious symbolism, and with herbal folklore. By the early nineteenth century the "Language of Flora" was an elaborately refined system, especially in England and America, where books listing flower meanings and illustrating them with verse were perennial bestsellers. Transcending the charm of its Victorian predecessors, this anthology creates an extended, updated, and more robust floral anthology for the twenty-first century, presenting poets through the ages from Sappho, Shakespeare, and Shelley to Ted Hughes, Mary Oliver, and Louise Glück, and across the world from Cuba to Korea, Russia to Zimbabwe. Eastern cultures, rich in flower associations, are well represented: Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, and roses and narcissi from Persia, the Ottoman empire, and the Arabic world. The most timeless human emotions and concepts--love, hope, despair, fidelity, grief, beauty, and mortality--find colorful expression in The Language of Flowers.

This comprehensive edition contains the largest number of Dickinson's poems ever assembled, arranged chronologically and drawn from a range of archives. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson's spelling, capitalization, and punctuation.

The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay and interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The Bodies That Remain looks back at how the identity of these bodies was shaped by the spaces around them, through the retelling of memory, through stories told by others; of how their work, processed by their body, made it possible for others to experience sensations - mourning, desire, or a nostalgia that could not belong to another, to another's body and in capturing this ability, their work confirms the body's urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson's decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body and its work of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Contributions include texts and images by: Lynne Tillman (on Jane Bowles), David Rule (on Michael Jackson), Mairead Case (on Judee Sill), Claire Potter (on the Lads of Aran), Jeremy Millar (on Emily Dickinson), Chloé Griffin (on Valeska Gert), Phoebe Blatton (on Brigid Brophy), Susanna Davies-Crook (on Sarah Kane), Travis Jeppensen (on Gary Sullivan), Karen Di Franco (on Mary Butts), Tai Shani (on Mnemesoid), Philip Hoare (on Denton Welch), Heather Phillipson (on a dead dog), Uma Breakdown (on Guage Fanfic), Linda Stuppart (on Kathy Acker), Sharon Kivland (on Jacques Lacan), Harman Bains (on Wilhelm Reich), Pil & Galia Kollectiv (JT Leroy), Kevin Breathnach (on Jules de Goncourt), and Emily LaBarge (on Sylvia Plath).

The Complete Poems by Emily Dickinson: Immerse yourself in the profound and introspective world of Emily Dickinson with The Complete Poems. This comprehensive collection showcases Dickinson's poetic brilliance, exploring themes of love, nature, mortality, and the enigmatic complexities of the human experience. Key Points: Features the complete body of work by Emily Dickinson, including her famous poems as well as lesser-known gems, offering a comprehensive understanding of her poetic genius. Delve into Dickinson's unique poetic style characterized by concise yet powerful language, unconventional punctuation, and thought-provoking imagery. Explores the depth and complexity of Dickinson's themes, such as the nature of existence, the transient beauty of life, and the exploration of the inner self. Emily Dickinson, an American poet, is widely regarded as one of the greatest and most influential poets in the English language. Though she lived a reclusive life and published only a handful of poems during her lifetime, Dickinson's poetry is celebrated for its unique style, introspective themes, and unconventional use of punctuation and syntax. Her poems explore profound ideas such as mortality, nature, love, and the human psyche, showcasing her keen observations and profound insights. Dickinson's impact on poetry and her ability to capture the complexities of human existence have made her a cherished figure in literary history.