The first short fiction collection from acclaimed novelist and video game writer Richard Dansky, Snowbird Gothic goes deep into the haunted forest of his imagination. From kudzu that smothers more than just trees to the secrets at the heart of a cloud of volcanic ash, from the beasts prowling the swamps of North Carolina to the battle cry of a thousand fallen leaves, Snowbird Gothic showcases the nightmares that can’t always be conjured on a monitor screen. Stories included in this collection: The Mad Eyes of the Heron King And the Rain Fell Through Her Fingers Connecting Door Unhaunted House Small Cold Things The Road Best Not Taken For the Autumn Queen, Where She Rests Among the Fallen Come Quietly and No One Gets Hurt Losing Altitude Minus One The Deep End of the Shallow Water Suburban Sprawl Fat Man on an Airplane Let the House Sing Me to Sleep Good Advice Missing Pages There is No Bird Shadows in Green Jeremy's Castle

With thousands of Canadians heading south for the winter each year, many of these individuals, referred to as snowbirds, face unique and challenging U.S. tax and financial planning considerations. Crossing the border, spending time in the U.S., and engaging in various financial transactions have legal and tax implications both in Canada and the U.S. The Canadian Snowbird in America covers the U.S. tax filing requirements based on seasonal residency in the U.S. and the U.S. tax issues related to the renting and sale of U.S. real estate. Information related to the

There’s something in Gary’s house that doesn’t want him there. Ever since his marriage fell apart, he’s been seeing things, things that everyone keeps on telling him aren’t there. But Gary’s not just seeing things, and soon it’s more than his peace of mind that’s at stake—it’s his life.

This collection develops a body of research around critically acclaimed author Helen Oyeyemi, putting her in dialogue with other contemporary writers and tracing her relationship with other works and literary traditions. Spanning the settings and cultural traditions of Britain, Nigeria and the Caribbean, her work highlights the interconnected histories and cultures wrought by multiple waves of enslavement, colonization, and migration. This collection describes how Oyeyemi's work engages in an innovative way with Gothic literature, reworking the tropes of a Western Gothic tradition in order to examine the fraught process of establishing identity in a postcolonial context. It demonstrates ways in which Oyeyemi is also a trouble-making feminist voice, employing feminist strategies to rewrite genres, parody literary forms, and critique the characterization of woman in literature. Finally it suggests that Oyeyemi's oeuvre marks a new direction in postcolonial studies as she writes within and about the former colonial centre of Britain, whilst foregrounding enduring colonial legacies that are referenced through the physical and psychological trauma associated with migration, displacement, racism, and contested national identities.

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