Dorota Maslowska's audacious debut novel establishes her as a new young literary voice of international importance.

The international bestselling novel of nihilistic youth in post-Communist Poland: “chaotic and brilliantly idiosyncratic...destined to become a cult classic” (Library Journal, starred review). When his girlfriend Magda dumps him, Andrzej “Nails’ Robakoski’s life begins to unravel. A track-suited slacker, Nails spends most of his time doing little more than searching for his next girl, next line of speed, next proof for his conspiracy theories about the Polish economy. A xenophobic campaign against the Russian black market is escalating across Poland, culminating in No Russkies Day–or is that just in Nails’s fevered mind? A “punishing successor to first-person ‘lad’ novels like Trainspotting,” Snow White and Russian Red “serves up its nastiness spiked with pitch-black humor.” By turns poetic, hilarious, disturbing, and dirty, it is a powerful portrait of love, hopelessness, and political burnout in today’s Eastern Europe (Publishers Weekly). "Critics have compared it to novels like Naked Lunch...Celine and Kosinski also come to mind."—John Leonard, Harper's

There never was a story that was happy through and through. When writer Arthur Ransome leaves his unhappy marriage in England and moves to Russia to work as a journalist, he has little idea of the violent revolution about to erupt. Unwittingly, he finds himself at its center, tapped by the British to report back on the Bolsheviks even as he becomes dangerously, romantically entangled with Trotsky's personal secretary. Both sides seek to use Arthur to gather and relay information for their own purposes . . . and both grow to suspect him of being a double agent. Arthur wants only to elope far from conflict with his beloved, but her Russian ties make leaving the country nearly impossible. And the more Arthur resists becoming a pawn, the more entrenched in the game he seems to become. Blood Red Snow White, a Soviet-era thriller from renowned author Marcus Sedgwick, is sure to keep readers on the edge of their seats. This title has Common Core connections.

A stylized noir retelling of Snow White set against the backdrop of Depression-era Manhattan.

A New York Times bestselling author offers a brilliant reinvention of one of the best-known fairy tales of all time with Snow White as a gunslinger in the mythical Wild West. Forget the dark, enchanted forest. Picture instead a masterfully evoked Old West where you are more likely to find coyotes as the seven dwarves. Insert into this scene a plain-spoken, appealing narrator who relates the history of our heroine’s parents—a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. Although her mother’s life ended as hers began, so begins a remarkable tale: equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have. Filled with fascinating glimpses through the fabled looking glass and a close-up look at hard living in the gritty gun-slinging West, this is an utterly enchanting story…at once familiar and entirely new.

Günter Koschorrek wrote his illicit diary on any scraps of paper he could lay his hands on, storing them with his mother on infrequent trips home on leave. The diary went missing, and it was not until he was reunited with his daughter in America some forty years later that it came to light and became Blood Red Snow. The author’s excitement at the first encounter with the enemy in the Russian Steppe is obvious. Later, the horror and confusion of fighting in the streets of Stalingrad are brought to life by his descriptions of the others in his unit – their differing manners and techniques for dealing with the squalor and death. He is also posted to Romania and Italy, assignments he remembers fondly compared to his time on the Eastern Front. This book stands as a memorial to the huge numbers on both sides who did not survive and is, some six decades later, the fulfilment of a responsibility the author feels to honour the memory of those who perished.