Donated by the Old Student's Association in 2003.

A poignant, inspirational account of women’s suffering and resilience in Stalin’s forced labor camps—diligently transcribed in the kitchens and living rooms of 9 survivors. “A worthy addition to the literature of the gulag that also features intimate glimpses of the author of Doctor Zhivago.” —Kirkus Reviews The pain inflicted by the gulags has cast a long and dark shadow over Soviet-era history. Zgustová’s collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity. Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women’s brutal realities. These stories, collected in the vein of Svetlana Alexievich’s Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history. “We see the darkest years of Soviet history illuminated, again and again, by small yet radiant flashes of humanity, of art, of beauty.” —Olga Grushin, author of The Dream Life of Sukhanov

Jerusalem is a special place. It brings people together—and rarely snows. When one day it does snow, three friends have a playful debate about who the snow belongs to. When they ask some of the most trusted people in their community, they have a great surprise: the priest, the rabbi, and the imam all say the same thing. Here is a joyful story about sharing—and how we are more similar than different.

In 1187 Saladin's armies besieged the holy city of Jerusalem. He had previously annihilated Jerusalem's army at the battle of Hattin, and behind the city's high walls a last-ditch defence was being led by an unlikely trio - including Sibylla, Queen of Jerusalem. They could not resist Saladin, but, if they were lucky, they could negotiate terms that would save the lives of the city's inhabitants. Queen Sibylla was the last of a line of formidable female rulers in the Crusader States of Outremer. Yet for all the many books written about the Crusades, one aspect is conspicuously absent: the stories of women. Queens and princesses tend to be presented as passive transmitters of land and royal blood. In reality, women ruled, conducted diplomatic negotiations, made military decisions, forged alliances, rebelled, and undertook architectural projects. Sibylla's grandmother Queen Melisende was the first queen to seize real political agency in Jerusalem and rule in her own right. She outmanoeuvred both her husband and son to seize real power in her kingdom, and was a force to be reckoned with in the politics of the medieval Middle East. The lives of her Armenian mother, her three sisters, and their daughters and granddaughters were no less intriguing. The lives of this trailblazing dynasty of royal women, and the crusading Queen Eleanor of Aquitaine, are the focus of Katherine Pangonis's debut book. In QUEENS OF JERUSALEM she explores the role women played in the governing of the Middle East during periods of intense instability, and how they persevered to rule and seize greater power for themselves when the opportunity presented itself.

Through the use of current intertextual methods and narrative criticism, this book offers a fresh examination of the Son of Man in Mark, developing the conclusions of Morna Hooker's 1967 work, The Son of Man in Mark: A Study of the Background of the Term "Son of Man" and Its Use in St. Mark's Gospel. Contrary to recent scholarship that argues Mark's Son of Man does not make any thematic or christological contribution to the Gospel and/or that the OT background of the Son of Man phrase is irrelevant, this work demonstrates that the Son of Man, when examined in light of Daniel 7, advances one of Mark's major themes: the transition of the locus of Yahweh's saving presence from the Jerusalem temple to a new covenant community that is not only founded on the Son of Man's sacrificial death but also is vindicated at his coming in the heavenly temple.

"A Country Between reminds us that grief is as indispensable to joy as light is to shadow. Beautifully written, ardent and wise." —Geraldine Brooks, Pulitzer Prize-winning author of The Secret Chord, People of the Book, and March Moving her family to a war zone was not a simple choice, but she's determined to find hope, love, and peace amid the conflict in the Middle East. When young mother Stephanie Saldana finds herself in an empty house at the beginning of Nablus road—the dividing line between East and West Jerusalem—she sees more than a Middle Eastern flash point. She sees what could be home. Before her eyes, the fragile community of Jerusalem opens, and she starts to build her family to outlast the chaos. But as her son grows, so do the military checkpoints and bomb sirens, and Stephanie must learn to bridge the gap between safety and home, always questioning her choice to start her family and raise her child in a country at war. A Country Between is a celebration of faith, language, and family—and a mother's discovery of how love can fill the spaces between what was once shattered, leaving us whole once more.

This is a collection of thirty-one beautifully written and wonderfully moving sermon-length reflections that read more like stories from Lake Wobegone. Wood weaves together history, legends, and references to popular culture seamlessly with biblical passages to create reflections that are both inspirational and educational. "A modern Scheherezade, this gifted United Methodist preacher unspools a series of compelling stroies as he seeks to draw out the presence of God in the historical, the legendary, the ordinary, and the bizarre events of human life. . . . This debut collection has the potential to be a book for all seasons." --Publisher's Weekly