The day that the closure of the News of the World was announced, will forever be regarded as the saddest in the entire history of journalism. Paul Barker was one of the handful of freelance photographers used on a full time basis by the paper, so when it came, the news was a devastating bombshell. After over 20 years working as a photojournalist, with 12 of those on the News of the World, he has been uniquely placed to give an insight into what it was like to work on a Sunday tabloid. From photography tips, to getting into events without a pass, 'Snapper' provides a fantastic, and highly amusing, window into the world of a national newspaper photographer. Rather than an expose into the phone hacking scandal that finally engulfed the paper, Snapper...Confessions of a News of the World Photographer, is a celebration of some of its finest moments. Recounted in a personal and engaging style, it is a series of often hilarious and sometimes heartbreaking anecdotes. It chronicles some of the best known, as well as some of the more obscure stories, covered by what many have come to regard as the world’s greatest newspaper.

Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography. The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.

Black and white photography of children and animals from the archives of The Age photographer, John Casamento

In For Queen & Currency, investigative journalist Michael Gillard exposes a massive fraud and security scandal at Buckingham Palace which Scotland Yard and the Royal Household tried to suppress. Drawing on thousands of leaked documents and police sources, Gillard tells the inside story of a group of Royalty Protection officers who entertained a life of high-risk gambling, brown envelopes of cash and striking gangster poses on the throne of England while guarding the royal family and their secrets from terrorism and press intrusion. Paul Page, a young royal protection officer turned degenerate gambler, ran a hedge fund for cops during the credit and property booms. His Currency Club bet millions on movement in sterling and gold and paid investors returns beyond the dreams of avarice and financial logic. As word spread to other royal palaces, more protection officers and their friends piled in with savings and cheap loans from banks, many of which were running their own Ponzi scam. Page was hiding huge gambling losses and when the returns dried up a hit man threatened his family, sending the royal cop over the edge and on the rampage with a gun. Scotland Yard tried to spin the scandal to divert attention from its own regulatory failures. But Page refused to go quietly. His sensational trial became an arena to expose the elite royalty protection squad and the private life of a senior royal. “The Queen is going to be mightily pissed off,” he warned. “[There was] an agreed understanding that what happened at Royalty stayed at Royalty.” Not any more.

Michael Spencer Jones is one of the UK's most influential rock photographers and was responsible for the images on the first three best-selling Oasis albums. Supersonic: The Oasis Photographs documents Michael's travels with the band on tour and in the studio, revealing the stories behind the classic cover shots and providing a first-hand insight into the life of Oasis and the making of a rock'n'roll legend. This deluxe edition is signed by Michael, numbered and limited to 1,500 copies worldwide.

Celebrating its 30th anniversary in 2024, internationally bestselling author and literary icon Julia Alvarez's In the Time of the Butterflies is "beautiful, heartbreaking and alive ... a lyrical work of historical fiction based on the story of the Mirabal sisters, revolutionary heroes who had opposed and fought against Trujillo." (Concepción de León, New York Times) Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now! It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas—the Butterflies. In this extraordinary novel, the voices of all four sisters--Minerva, Patria, María Teresa, and the survivor, Dedé--speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujillo’s rule. Through the art and magic of Julia Alvarez’s imagination, the martyred Butterflies live again in this novel of courage and love, and the human costs of political oppression. "Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas."—Francisco Cantú, The New York Times Book Review "This Julia Alvarez classic is a must-read for anyone of Latinx descent." —Popsugar.com "A gorgeous and sensitive novel . . . A compelling story of courage, patriotism and familial devotion." —People "Shimmering . . . Valuable and necessary." —Los Angeles Times "A magnificent treasure for all cultures and all time.” —St. Petersburg Times "Alvarez does a remarkable job illustrating the ruinous effect the 30-year dictatorship had on the Dominican Republic and the very real human cost it entailed."—Cosmopolitan.com