Politics and paradigm shifts underlying contemporary retellings of fantastic traditional Chinese tales. Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Author Cathy Yue Wang examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughtersoffers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.

A lost princess. A mysterious puppet master. And a race against time—before all is lost. Princess Rani longs for a chance to escape her gilded cage and prove herself. Ria is a street urchin, stealing just to keep herself alive. When these two lives collide, everything turns on its head: because Ria and Rani, orphan and royal, are unmistakably identical. A deal is struck to switch places—but danger lurks in both worlds, and to save their home, thief and princess must work together. Or watch it all fall into ruin. Deadly magic, hidden temples, and dark prophecies: Sisters of the Snake is an action-packed, immersive fantasy that will thrill fans of The Wrath & the Dawn and The Tiger at Midnight.

A two-volume collection of folktales that were published in Papua New Guinea's Wantok newspaper. The two-volume collection presents the complete set of 1047 folktales that were originally published from 1972 through 1997 in Tok Pisin.

Both film and fairy-tale studies scholars will enjoy Duggan's fresh look at the distinctive cinema of Jacques Demy.

Anyone who has ever filled in a form in triplicate, taken an aptitude test, or been rebuffed by a form letter will appreciate the urban folklore found in this collection. Urban people as a folk are bound together by their unhappy experiences in battling "the system," whether that system is the machinery of government or the office where one works. The wonderfully expressive materials in this book--chain letters, memoranda, notices, and cartoons--touch upon every major controversy of urban America: racism, sex, politics, automation, alienation, welfare, the women's movement, military mentality, and office bureaucracy. The humor of the materials pinpoints the ills and frustrations of modern society and becomes, in turn, an escape from them.

A two-volume collection of folktales that were published in Papua New Guinea's Wantok newspaper. The two-volume collection presents the complete set of 1047 folktales that were originally published from 1972 through 1997 in Tok Pisin.

"What is the spell for?" Miranda asked curiously, stepping close beside him to squeeze through the first ring of trees. She didn't know of any goblin spells that used flowers unless they were crushed like herbs. "Do you really want to know?" murmured the elf absently, looking up at the dark crowns of the ancient oaks. "Yes," she said. She had always liked magic. He glanced back down at her then. "It's for you," he said. And the instant they passed the great trunks, his hand closed over her wrist. The powerful final volume of the Hollow Kingdom Trilogy Miranda has waited her whole life to come home to the goblin kingdom, but she never imagined she'd feel so alone there. Her beloved Marak, the center of her world since childhood, has reached the end of his reign. But Marak didn't raise a coward. Miranda needs all her courage when a mysterious elf lord takes her prisoner, reigniting an age-old battle. Caught between two hostile races, she becomes their greatest reason for war—and their only hope for a future. In this final volume of the Hollow Kingdom Trilogy, Clare B. Dunkle draws readers deep into her magical realm for one last incredible story.