AN ANCIENT GOD & Tezcatlipoca, the Mirror that Smokes, warrior/wizard god of the Aztecs. Western Civilization thought it wiped him out centuries ago... A NEW TECHNOLOGY & With the help of silly-bio nanochips, Beto Orozco creates an artificial intelligence version of Tezcatlipoca. The result is a computerized resurrection... THE FUTURE WILL NEVER BE THE SAME & So Tezcatlipoca hijacks Beto's body, and runs wild through futuristic Hollywood. The trickster adapts well to the brave, new world, and gets back to his old business of creating chaos and taking control... -- Cover page 4.

HIGH AZTECH, the underground cult classic, is back and ready to blow your mind wide open. "A high-energy adventure peppered with great ideas, well-imagined unusual settings, outlandish characters, and a wicked sense of fun.'. -Locus In mid 21st century Mexico, Tenochtitlan, the metropolis formerly known as Mexico City, is the most exciting place on Earth. Stainless steel pyramids pierce the smoggy sky. Human sacrifice is coming back into fashion, especially on the new Aztechan TV channels, and everyone wants an artificial heart. Xolotl Zapata, celebrated poet, skeptic and trmrhsfr journalistr, starts receiving death threats from a cult he's lampooned in a comic book. But soon he will have much worse problems and be running for his life. The government, the Mafia, street gangs, cults, terrorists, even garbage collectors will be after him. Why? He has been infected with a technological development that will changing human life as we know it Zapata is carrying a virus that can download religious beliefs into the human brain - a highly contagious virus that is converting everyone he meets, and everyone they meet, to the Aztec religion. This is Witnessing with a PUNCH! Since he's a virtulent carrier he infects a large part of the city all by himself, and the masses, filled with visions and portents, await the End of the World. "Cyberpunk is the combining of science fiction and technology with a future society on the brink of self-destruction. Ernest Hogan takes the concept a step further, blending in his love of the Aztec's ancient beliefs and civilization to produce very unique and gripping stories. When it comes to science fiction of a different breed, Hogan is definitely sitting in the front row. One reviewer aptly referred to Hogan as a "mad Mexican Hunter S. Thompson."" -Wicked local.com "Chicano writer Ernest Hogan bridges the gap between hard science fiction and cyberpunk ... interweaving Pre-Colombian mythology and Spanish, Spanglish, and Nahuatl language into a humorously dystopian sci-fi context ... exploring the intersection of religion, technology, pop culture ... with a distinctly Latino twist." -- The Routledge Companion to Latino/a Literature"

The extraordinary real-life story of a young man who became involved with the highest levels of the international drug trade - and lived to tell the tale.

"Hogan's debut, first published in 1990, introduced the subgenre of Chicano SF to a startled, dazzled American audience. All Pablo Cortez cares about is creating art, whether it's humongous graffiti sprayed across Los Angeles or zero-gravity paint slinging in space. When he confronts the alien Sirens of Jupiter, who have zapped the minds of earlier explorers, he takes their overwhelming flood of bizarre images as subject matter for new masterpieces. A jangling, rambunctious picture of artistic genius ... tons of fun for freethinking readers who appreciate heroes with cojones." Publisher's Weekly "Hard SF, satire, adventure, and some very strange humor combine in this intriguing, inventive, and sometimes disconcerting SF story." -Science Fiction Chronicle A wild young Chicano artist who covers Greater Los Angeles with fantastic graffiti. A beautiful African telepath who opens the door to communications with the deadly Sirens of Jupiter. "An alien first contact story featuring a hyperactive, irreverent, and self-absorbed Chicano artist from East LA. Cortez is recruited to make contact with creatures discovered on Jupiter who "speak" in projected images. It's a dangerous assignment; previous attempts to communicate have ended in insanity and death, but Pablo is always up for a little bit of craziness." - Michael Lichter, Amazon "It grabs you and won't let you go. The best [first novel] I've read in science fiction since Neuromancer." - Tom Witmore, Locus Not since Ayn Rand's Howard Roarke has there been an artist as iconoclastic, as idealistic, and as splendidly spectacular as Pablo Cortez. And look out, he's twice as radical! Energetic, fast-paced, funny, and thoroughly enjoyable." -Analog Combining hard science fiction with pyrotechnics worthy of "The Stars, My Destination," Ernest Hogan tells the story of the painter who founds the Guerrilla Muralists Of Los Angeles, goes on to make Mankind's first contact with the sentient life-forms of Jupiter. "If Hunter S Thompson and Alfred Bester had a Chicano child, it would be this." Dave Hutchinson It's a roller-coaster ride from vulgarity to the transcendent, as the unforgettable Pablo Cortez struggles, selfishly and selflessly, to expand humanity's consciousness on a journey from the barrio to the stars. "Ernest Hogan is the creator of a Xicano science fiction genre with a crossover readership. ...raw creativity." - Frank S Lechuga *** "All cultures have some acceptable form of human sacrifice. And if you really want to cause trouble, try taking it away." -Pablo Cortez Introductory price $9.99 - regularly $12.99

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

Embarking on a season at her family's summerhouse with her father and a cousin, teen Nellie Kincaid encounters first love, shifting family loyalties, and an emerging sense of self that raises her awareness of her diverse heritage.

This anthology of sardonic fiction emphasizes SF/fantasy tales sparkling with wit and edgy attitude. The stories, both originals and reprints, cover a wide range of satire. Writers include James Morrow, Nina Kiriki Hoffman, Allen Steele, Paul Di Filippo, Robert Silverberg, and Pat Cadigan. Halpern, a 2001 World Fantasy Award Finalist, is the editor of the legendary Golden Gryphon Press.