Captain Sam Wyndham and his sidekick Surrender-Not Banerjee return in this prize-winning historical crime series set in 1920s Calcutta. India, 1921. Haunted by his memories of World War I, Captain Sam Wyndham is battling a serious addiction to opium that he must keep secret from his superiors in the Calcutta police force. When Sam is summoned to investigate a grisly murder, he is stunned at the sight of the body: he’s seen this before. Last night, in a drug addled haze, he stumbled across a corpse with the same ritualistic injuries. It seems like there’s a deranged killer on the loose. Unfortunately for Sam, the corpse was in an opium den—and revealing his presence there could cost him his career. With the aid of his quick-witted Indian Sergeant, Surrender-Not Banerjee, Sam must try to solve the two murders, all the while keeping his personal demons secret, before somebody else turns up dead.

A skilled ex-soldier fights a Libyan terrorist and leagues of man-eating mutants in post-apocalyptic America—from a USA Today–bestselling author. The devastating nuclear nightmare of the Great War brings civilization to the brink of destruction. Only Ben Raines and his tireless Rebels share the dream of rebuilding society out of the smoldering remains of America…. The power-mad Middle Eastern terrorist, Khamasin, has already begun his bloodthirsty assault on America's southern tier. But an even deadlier threat lurks in the plague-ridden ruins of the country's once-great cities, where crazed, flesh-eating packs of starved mutants hunt for fresh, human kill. Raines and his Rebels are in for the battle of their lives. But the do-or-die freedom fighters are willing to face Hell on Earth to strike a blow for America's survival. Seventh in the long-running series!

Tanya Huff’s supernatural fantasy Smoke series, with a gothic twist • Mix of ghostly mystery, paranormal horror, and dark humor • Lamba Award nominated Fans of the X-Files and Twin Peaks will love acclaimed master of contemporary fantasy Tanya Huff’s twisted version of vampires, wizards, and TV terror. Tony Foster, fledgling wizard and now trainee assistant director on Darkest Night—the syndicated vampire detective show—is hoping that they only supernatural events he’ll be caught up in are those in the script. But that isn’t meant to be, for a demonic convergence is about to begin, creating weak spots through which lesser demons may enter the world. To complicate matters, Leah, the incredibly seductive stuntwoman who freelances for the show, is an immortal Demongate. Should Leah die, the Demongate will open and her sensual demon master will wreak havoc upon the unsuspecting human race. Can Tony—with the help of Leah, Henry, a tabloid reporter, a Mountie, and the cast of Darkest Night—halt a demonic invasion and stave off the end of the world?

When Amitav Ghosh began his research for the Ibis Trilogy some twenty years ago, he was startled to find how the lives of the nineteenth-century sailors and soldiers he wrote of were dictated not only by the currents of the Indian Ocean, but also by a precious commodity carried in enormous quantities on those currents: opium. Most surprising of all was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir and an excursion into history, both economic and cultural. Ghosh traces the transformative effect the opium trade had on Britain, India and China, as well as on the world at large. Engineered by the British Empire, which exported opium from India to sell in China, the trade and its revenues were essential to the Empire's survival. Upon deeper exploration, Ghosh finds opium at the origins of some of the world's biggest corporations, several of America's most powerful families and institutions, and contemporary globalism itself. In India the long-term consequences were even more profound. Moving deftly between horticultural histories, the mythologies of capitalism and the social and cultural repercussions of colonialism, Smoke and Ashes reveals the pivotal role one small plant has played in the making of the world as we know it - a world that is now teetering on the edge of catastrophe. --- 'In thinking about the opium poppy's role in history it is hard to ignore the feeling of an intelligence at work. The single most important indication of this is the poppy's ability to create cycles of repetition, which manifest themselves in similar phenomena over time. What the opium poppy does is clearly not random; it builds symmetries that rhyme with each other. It is important to recognize that these cycles will go on repeating, because the opium poppy is not going away anytime soon. In Mexico, for instance, despite intensive eradication efforts the acreage under poppy cultivation has continued to increase. Indeed, there is more opium being produced in the world today than at any time in the past. Only by recognizing the power and intelligence of the opium poppy can we even begin to make peace with it.'

PULITZER PRIZE WINNER • No book before this one has rendered the story of cigarettes—mankind's most common self-destructive instrument and its most profitable consumer product—with such sweep and enlivening detail. "A great battleship of a book—formidable, majestic.”—The New York Times Book Review Here for the first time, in a story full of the complexities and contradictions of human nature, all the strands of the historical process—financial, social, psychological, medical, political, and legal—are woven together in a riveting narrative. The key characters are the top corporate executives, public health investigators, and antismoking activists who have clashed ever more stridently as Americans debate whether smoking should be closely regulated as a major health menace. We see tobacco spread rapidly from its aboriginal sources in the New World 500 years ago, as it becomes increasingly viewed by some as sinful and some as alluring, and by government as a windfall source of tax revenue. With the arrival of the cigarette in the late-nineteenth century, smoking changes from a luxury and occasional pastime to an everyday—to some, indispensable—habit, aided markedly by the exuberance of the tobacco huskers. This free-enterprise success saga grows shadowed, from the middle of this century, as science begins to understand the cigarette's toxicity. Ironically the more detailed and persuasive the findings by medical investigators, the more cigarette makers prosper by seeming to modify their product with filters and reduced dosages of tar and nicotine. We see the tobacco manufacturers come under intensifying assault as a rogue industry for knowingly and callously plying their hazardous wares while insisting that the health charges against them (a) remain unproven, and (b) are universally understood, so smokers indulge at their own risk. Among the eye-opening disclosures here: outrageous pseudo-scientific claims made for cigarettes throughout the '30s and '40s, and the story of how the tobacco industry and the National Cancer Institute spent millions to develop a "safer" cigarette that was never brought to market. Dealing with an emotional subject that has generated more heat than light, this book is a dispassionate tour de force that examines the nature of the companies' culpability, the complicity of society as a whole, and the shaky moral ground claimed by smokers who are now demanding recompense.

"I like my whiskey like I like my women: stretching a metaphor way too far. A couple of years ago I screwed up so badly that everybody I remotely cared about wound up dead, nearly dead, or just plain betraying me. Some days, I'm sober enough to care. My list of "things I really don't need right now" starts with a condescending octogenarian werewolf having a go at me for banging a Marchioness. As for where it ends, try the disembodied spirit of my ex-girlfriend stalking me in my dreams, a vindictive wizard-vampire from the first century on a vengeance crusade, being hired by the magical twin of my disanimated best friend and, oh yes, having to find the actual Holy Grail. If I was a better person, I'd take this opportunity to put my life together. I'd find a way to fix everything I broke, save everybody I let down, and maybe pay a certain vampire back for leaving me to die. But I'm not a better person. I'm a hard-drinking half-faery train wreck on legs and if I hated myself less I might even say I liked it that way"--Provided by publisher.

In the days of the Raj, a newly arrived Scotland Yard detective is confronted with the murder of a British official—in his mouth a note warning the British to leave India, or else . . . Calcutta, 1919. Captain Sam Wyndham, former Scotland Yard detective, is a new arrival to Calcutta. Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. He is immediately overwhelmed by the heady vibrancy of the tropical city, but with barely a moment to acclimatize or to deal with the ghosts that still haunt him, Wyndham is caught up in a murder investigation that threatens to destabilize a city already teetering on the brink of political insurgency. The body of a senior official has been found in a filthy sewer, and a note left in his mouth warns the British to quit India, or else. Under tremendous pressure to solve the case before it erupts into increased violence on the streets, Wyndham and his two new colleagues—arrogant Inspector Digby and Sergeant Banerjee, one of the few Indians to be recruited into the new CID—embark on an investigation that will take them from the opulent mansions of wealthy British traders to the seedy opium dens of the city. Masterfully evincing the sights, sounds, and smells of colonial Calcutta, A Rising Man is the start of an enticing new historical crime series.