This book was written for American school students in order to teach them rules for expressing themselves correctly and well in written and spoken words. It is divided into several chapters on different aspects of writing and speaking and contains an extensive collection of recitations and orations.

"Say It Plain is a vivid, moving portrait of how black Americans have sounded the charge against injustice, exhorting the country to live up to its democratic principles. In "full-throated public oratory, the kind that can stir the soul" (Minneapolis Star Tribune), this unique anthology collects the transcribed speeches of the twentieth century's leading African American cultural, literary, and political figures, many of them never before available in printed form. From an 1895 speech by Booker T. Washington to Julian Bond's harp assessment of school segregation on the fiftieth anniversary of Brown v. Board in 2004, the collection captures a powerful tradition of oratory-by political activists, civil rights organizers, celebrities, and religious leaders-going back more than a century. The paperback edition includes the text of each speech along with an introduction placing it in its historical context. Say It Plain is a remarkable historical record- from the back-to-Africa movement to the civil rights era and the rise of black nationalism and beyond-riveting in its power to convey the black freedom struggle."

In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.

Winner of the 2021 Sheikh Zayed Book Award (category: Arab Culture in Other Languages) Browse a preview of Arabic Oration: Art and Fuction. In Arabic Oration: Art and Function, a narrative richly infused with illustrative texts and original translations, Tahera Qutbuddin presents a comprehensive theory of this preeminent genre in its foundational oral period, 7th-8th centuries AD. With speeches and sermons attributed to the Prophet Muḥammad, ʿAlī, other political and military leaders, and a number of prominent women, she assesses types of orations and themes, preservation and provenance, structure and style, orator-audience authority dynamics, and, with the shift from an oral to a highly literate culture, oration’s influence on the medieval chancery epistle. Probing the genre’s echoes in the contemporary Muslim world, she offers sensitive tools with which to decode speeches by mosque-imams and political leaders today.