In this kaleidoscopic, episodic joy ride, Jory Post treats us to thirty interviews that may or may not be real, with an array of “ordinary” people who turn out to be anything but, all of them in conversation with an interviewer who is herself a mystery. As one encounter follows another, we realize that “Smith” is a convenient alias for a range of voices, including: a traveling nurse from Saipan, a Vietnam-war vet who lives in his truck, a woman who can only tell her own story through fairy tales, a young man more comfortable talking to animals than people, an army brat, a poker prodigy, a pool shark. Some of these Smiths offer themselves openly to the interviewer, while others reveal as much in their resistance as they do in their narratives. Through it all, the stories, distinct and musical as jazz solos, give voice to what we want, what thrills us, what we’ve been most hurt or touched by, and what we will never forget — secrets any one of us might spill if only someone would listen. Jory Post has.

Welcome to The Library. This is no ordinary library. This magical place is infinite, and upon these shelves resides a book for everything … Everything. Every tree, every raindrop, every living thing that ever is, was, or will be, has a book that tells the story of their past, present, and future. Everyone has a book of their lives. That includes you. Yours is waiting, if you can find it … You are here because you have something to learn, and things you want to change about your lives and yourselves. The truths within these pages can be altered, granting you the power to bend reality to your will. But are you prepared to be the author of your own story?

A young girl prevails over poverty and religious bigotry to survive childhood abduction, a predatory theologian, family secrets, and the drug culture of the 1960s. In an Appalachian Mountain town during the early 1950s, guns and domestic abuse are as prevalent as prayer meetings and dubiously ordained preachers. Young Skyla Fay Jenkins is often forced to choose between what’s labeled “righteous” and what she knows to be right. When her family moves up north to an urban setting, she struggles to overcome the social and gender limitations of the late 1950s and 1960s. Decades later, a chance encounter with a childhood nemesis prompts her to revisit the abiding love and playful river romps of her youth, along with a traumatic abduction and family violence. This fictional story celebrates the ability of a child to survive and thrive, despite those who would do her harm and the failed intentions of those who would protect her. It also explores decades of sex, drugs, and rock ‘n’ roll, from the perspective of an evolving free-spirited female.

In the summer of 2020, the final summer of his life, Jory Post gave himself an assignment: He would write one essay a day, inspired by whatever caught his eye and imagination. The seventy essays that emerged — personal and idiosyncratic, contemplative and fierce — range in subject from the writing life, extinct birds, and the origins of words to the "three ‘C’s" (cancer, chemo, and Covid) and his love for his wife and friends. As he faced his last days, Jory Post measured the world around him and threw the full reach of his emotions and literary skills into these pages.

“Write to me. Keep me alive,” wrote Jory Post to Paola Bruni as he was dying of inoperable cancer. Hence, the quiet conversation ensued — one poet to another — an intimate, and at times playful, sharing of hopes, fears, and grief.

When his wife, Edie, dies, Will Moran abandons all he used to be, and do, to paint still life canvases of rocks and driftwood on the walls of his house. He’s never painted before, recognizes that his paintings are awkward and ugly, but returns each day to his struggles with light and shadow, color and object, boundary and perspective. He eavesdrops on neighbors, dips into garbage cans, and fills his home with rocks he collects from local beaches. Through it all, he clings to his still lifes, each another attempt to represent the simplest elements of his world—rocks, wood, and grief.

Dramatically, from personal acquaintance and Lewis’s own files, Saul Alinsky writes here the inside story of one of the most powerful men in America. Its revelations of why Lewis broke with Roosevelt, of why he fought with the AF of L to form the CIO, of the birth of the sit-down strikes, of the motives behind the war strikes, of how Lewis has so often managed to stalemate the U.S. Government—these are front-page news. They are brought out with sharp insight by one of the most brilliant observers of the labor movement in this country. John L. Lewis is not only reporting of an extremely high order but one of the most stimulating biographies that have been published in many years. There is no one of us who can remain unaffected by the acts of the mine workers’ president.