It's a special day in Macy's classroom as all the children come in dressed up in their most stylish African clothing! Zahra's Ethiopian dress is covered in beads, while Malika's Namibian outfit is bursting with colours. And who is hiding behind that elephant mask from Cameroon? No two outfits are the same, in this beautiful and varied parade of clothing from across Africa!

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

A New York Times bestselling and award-winning author presents a complex story about his coming-of-age journey as a Black boy, from the societal roots of trauma to finding joy. "If I had two wishes, it would be that D. Watkins spend an entire book writing through the terrifying wonder of Black boyness in America, and for every human to read and share this book. I am shaken. Black Boy Smile changed my relationship to writing and me."―Kiese Laymon, author of Heavy and winner of the Andrew Carnegie Medal At nine years old, D. Watkins has three concerns in life: picking his dad’s Lotto numbers, keeping his Nikes free of creases, and being a man. Directly in his periphery is east Baltimore, a poverty-stricken city battling the height of the crack epidemic just hours from the nation’s capital. Watkins, like many boys around him, is thrust out of childhood and into a world where manhood means surviving by slinging crack on street corners and finding oneself on the right side of pistols. For thirty years, Watkins is forced to safeguard every moment of joy he experiences or risk losing himself entirely. Now, for the first time, Watkins harnesses these moments to tell the story of how he matured into the D. Watkins we know today—beloved author, college professor, editor-at-large of Salon.com, and devoted husband and father. Black Boy Smile lays bare Watkins’s relationship with his father and his brotherhood with the boys around him. He shares candid recollections of early assaults on his body and mind and reveals how he coped using stoic silence disguised as manhood. His harrowing pursuit of redemption, written in his signature street style, pinpoints how generational hardship, left raw and unnurtured, breeds toxic masculinity. Watkins discovers a love for books, is admitted to two graduate programs, meets with his future wife, an attorney—and finds true freedom in fatherhood. Equally moving and liberating, Black Boy Smile is D. Watkins’s love letter to Black boys in concrete cities, a daring testimony that brings to life the contradictions, fears, and hopes of boys hurdling headfirst into adulthood. Black Boy Smile is a story proving that when we acknowledge the fallacies of our past, we can uncover the path toward self-discovery. Black Boy Smile is the story of a Black boy who healed.

From Rwanda to Sierra Leone, African countries recovering from tyranny and war are facing an impossible dilemma: to overlook past atrocities for the sake of peace or to seek catharsis through tribunals and truth commissions. In this work, Rice reports on Idi Amin's legacy and the limits of reconciliation.

The great Archbishop of Capetown, South Africa, shares with us the simple but profound secrets of his extraordinary spiritual strength by unveiling his very own book of prayer. Prayer, our conversation with God, needs no set formulas or flowery phrases. It often needs no words at all. But for most believers, the words of others can be a wonderful aid to devotion, especially when these words come front faithful fellow pilgrims. The African Prayer Book is just such an aid, for in this collection all the spiritual riches of the vast and varied continent of Africa are bravely set forth. Here we may delight in Solomon's splendid encounter with the Queen of Sheba, overhear the simple prayer of a penniless Bushman, and glory in the sensuous sonorities of the mysterious liturgies of the Egyptian Copts. Here are Jesus' own encounters with Africa, which provided him refuge at the beginning of his life (from the murderous King Herod) and aid at its end (in the person of Simon of Cyrene, who helped Jesus carry his cross). Here are the prayers of some of the greatest among the mothers and fathers of the Church -- Monica, Augustine, Clement of Alexandria, Cyprian of Carthag -- as well as the prayers from the African diasporas of North America and the Caribbean. From thunderous multi-invocation litanies to quiet meditations, here are prayers that every heart can speak with strength and confidence. Archbishop Desmond Tutu, who is for millions the very soul of Africa, is our guide on this unique spiritual journey. His introduction is destined to become a classic, his characteristic energy and optimism light our way, and the words of his favorite prayers (many composed by the Archbishop himself) will stay with us forever.

The debut book from a celebrated artist on the urgent topic of street harassment Every day, all over the world, women are catcalled and denigrated simply for walking down the street. Boys will be boys, women have been told for generations, ignore it, shrug it off, take it as a compliment. But the harassment has real consequences for women: in the fear it instills and the shame they are made to feel. In Stop Telling Women to Smile, Tatyana Fazlalizadeh uses her arresting street art portraits to explore how women experience hostility in communities that are supposed to be homes. She addresses the pervasiveness of street harassment, its effects, and the kinds of activism that can serve to counter it. The result is a cathartic reckoning with the aggression women endure, and an examination of what equality truly entails.