From the Iliad to Aristophanes, from the gospel of Matthew to Augustine, Greek and Latin texts are constellated with images of dreams. This cultural history draws on contemporary post-Freudian science and careful critiques of the ancient texts. Harris reminds us of specificities, contexts, and changing attitudes through history.

Sophoclean tragedy - Tragedy: Classical versu Western - Thought and structure - Sophocles' Praise of man - Oedipus Rex - Electra.

Explores Greek conceptions of human innerness and the way in which Greek tragedy shaped European notions of mind and self.

The visual effect of the staging of Aeschylus' plays was an essential part of their impact. And yet all that survives today are the scripts. Imagination, helped by anachronistic sources, has played the chief role for those dealing with the dramaturgy of Aeschylus' works, and the result hasusually been stages crowded with extras and equipment.In this book, the author approaches the subject from a completely different angle. He clears the stage and looks for clues of Aeschylus' stagecraft in the texts of the plays themselves. He concentrates his study in an analysis of the exits and entrances in Aeschylus' works with constant reference tothe practice of Sophocles and Euripides as well. His arguments and conclusions are fascinating and thought-provoking, and make the book indispensable for anyone interested in ancient Greek drama and its staging.