Political violence has remained an integral part of South Asian society for decades. The region has witnessed and continued to encounter violence for achieving political objectives from above and from below. Violence is perpetrated by the state, by non-state actors, and used by the citizens as a form of resistance. Ethnic insurgency, religion-inspired extremism, and ideology-driven hostility are examples of violent acts that have emerged as challenges to the states which have responded with violence in the form of civil war and through violations of human rights disregarding international norms. This book explores various dimensions of political violence in South Asia, namely in Bangladesh, India, Nepal, Pakistan, and Sri Lanka. Each chapter either speaks to an important aspect of the political violence or provides an overall picture of the nature and scope of political violence in the respective country. Political violence is understood in the larger sense of political, that is, above and beyond institutions, and also as an integral part of social relationships where social norms and the role of individual agency play seminal roles. The contributions in this book incorporate both institutional and non-institutional dimensions of political violence. Exploring how everyday life in South Asian states and societies is transformed by the engagement with violence through direct and indirect methods, this book adopts an interdisciplinary framework; diverse methods are employed – from ethnographic readings to more macro level analyses. The phenomenon is explored from historical, sociological, and political perspectives. This book will be useful as a supplementary text in courses on South Asian Studies in general and South Asian Politics in particular.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 17 AUGUST, 1975 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 59 VOLUME NUMBER: Vol. XL, No.33 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 16-57 ARTICLE: 1. Golden Triangle of Orissa 2. Vitamin-C 3. Shivaji As A Ruler 4. The Women’s Year 5. A Talent of Happiness 6. The Psychology of Boredom 7. Archaeology of the Ramayana Sites 8. The Wealth of Manipur : The Tasar 9. Evolution of Women’s Rights in India AUTHOR: 1. A. N. Tiwari 2. Dr. N. P. Misra 3. Prof. Satish Chandra 4. Naina Chakrabarty 5. Priyabrata Das 6. Uzair Mohamed Kasim 7. B. B. Lai 8. C. S. Krishnamurthy 9. Maitreyi Ramadurai Document ID : APE-1975 (J-S) -Vol-III-07 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

This is the third volume (Reflections On Sacred Teachings (Volume 3)) of the series “Reflections on Sacred Teachings,” and it elaborates on the Harinama Cintamani, originally written by Srila Bhaktivinoda Thakura about Sri Caitanya Mahaprabhu appealing to Srila Haridas Thakura to speak high philosophy on the potency and efficacy of the Holy Name, Bhakti-Tirtha Swami interweaves recurring themes of personal endeavor and Krishna’s mercy, compassion, and understanding for those who struggle, and uncompromising, honest introspection. Reading this book is a refreshing and revitalizing experience.

Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.