A brilliant and original reimagining of sexuality, this book examines how concepts lend themselves to power/knowledge formations, and offers a robust synthesis of insights from Foucault and Deleuze to extend those into a proposal for a conceptual next step for imagining the structures of sexuality as eros. Many contemporary French philosophers make incidental use of the notion of a ruse. Its names are legion: 'duplicity,' 'concealment,' 'forgetting,' and 'subterfuge,' among others. This book employs Gilles Deleuze's philosophy of the concept to describe three specifically conceptual ruses, or sleights, that make up part of the conceptual support for the concept of sex. These are the sleights associated with the concepts of norm, bisexuality and development. Mary Beth Mader argues that concepts can trick us, and shows how they can effect conceptual sleights, or what she calls sleights of reason.

From the INTRODUCTION. This volume is the outcome of a letter to the publishers from a prominent magical dealer, who said: ""If the Magical Public as a whole could once actually see your publications and thus be brought to an instant realization of their novelty of contents, their elaborate illustration and the fact that their sale is restricted to magicians only, I feel certain that you would at once receive an order from almost every person interested in the subject of Magic."" In order to test the foregoing assertion, the publishers have prepared the present booklet as a means of placing in the hands of magical readers within the shortest space of time, full descriptions of the features and contents of these publications, in order that the reader may draw his own conclusions of the value of these publications, or of their interest to him....

"This book doesn't just promise to change the way you think about sleight of hand and David Copperfield—it will also change the way you think about the mind." —Jonah Lehrer, author of How We Decide and Proust Was A Neuroscientist Stephen Macknik and Susana Martinez-Conde, the founders of the exciting new discipline of neuromagic, have convinced some of the world's greatest magicians to allow scientists to study their techniques for tricking the brain. This book is the result of the authors' yearlong, world-wide exploration of magic and how its principles apply to our behavior. Magic tricks fool us because humans have hardwired processes of attention and awareness that are hackable—a good magician uses your mind's own intrinsic properties against you in a form of mental jujitsu. Now magic can reveal how our brains work in everyday situations. For instance, if you've ever bought an expensive item you'd sworn you'd never buy, the salesperson was probably a master at creating the "illusion of choice," a core technique of magic. The implications of neuromagic go beyond illuminating our behavior; early research points to new approaches for everything from the diagnosis of autism to marketing techniques and education. Sleights of Mind makes neuroscience fun and accessible by unveiling the key connections between magic and the mind.

What can magic tell us about ourselves and our daily lives? If you subtly change the subject during an uncomfortable conversation, did you know you're using attentional 'misdirection', a core technique of magic? And if you've ever bought an expensive item you'd sworn never to buy, you were probably unaware that the salesperson was, like an accomplished magician, a master at creating the 'illusion of choice'. Leading neuroscientists Stephen Macknik and Susana Martinez-Conde meet with magicians from all over the world to explain how the magician's art sheds light on consciousness, memory, attention, and belief. As the founders of the new discipline of NeuroMagic, they combine cutting-edge scientific research with startling insights into the tricks of the magic trade. By understanding how magic manipulates the processes in our brains, we can better understand how we work - in fields from law and education to marketing, health and psychology - for good and for ill.

History of the Sleight family, as well as documentary history and chronology of Sag Harbor, New York, which they settled. The family is descended from Cornelius Barentsen Slegt/Slecht/Sleght, who came from Woerden, Holland, in the mid-seventeenth century and settled in Esopus and Kingston, New York.

Sisters Lark and Clef have spent their lives honing their bodies for sleight, an interdisciplinary art form that combines elements of dance, architecture, acrobatics, and spoken word. After being estranged for several years, the sisters are reunited by a deceptive and ambitious sleight troupe director named West who needs the sisters' opposing approaches to the form--Lark is tormented and fragile, but a prodigy; Clef is driven to excel, but lacks the spark of artistic genius. When a disturbing mass murder makes national headlines, West seizes on the event as inspiration for his new performance, one that threatens to destroy the very artists performing it. In language that is at once unsettling and hypnotic, Sleight explores ideas of performance, gender, and family to ask the question: what is the role of art in the face of unthinkable tragedy? Kirsten Kaschock has earned degrees from Yale University, the University of Iowa, Syracuse University, and the University of Georgia. The author of two collections of poetry, Unfathoms and A Beautiful Name for a Girl, she resides in Philadelphia, Pennsylvania, where she is currently a doctoral fellow in dance at Temple University.