Designed as a tribute to world-renowned ethnomusicologist Bruno Nettl, this volume explores the ways in which ethnomusicologists are contributing to the larger task of investigating music history. The fifteen contributors explore topics ranging from meetings with the Suyá Indians of Brazil to the German-speaking Jewish community of Israel; from Indian music in Felicity, Trinidad, to Ravi Shankar's role as cultural mediator. "This book is unique not only for its approach but also for the scope of its content. . . . It is definitely a must for libraries of research centers and institutions with ethnomusicology programs." -- Choice

Nocturnes, literally music for the night, is a delightfully impressionistic investigation into everything that is not known, and perhaps can never be known, about dreams. Rather than espousing yet another strategy of dream interpretation, Lippmann proffers a naturalistic approach appreciative of the playful, complex, even zany creativity embodied in dreams. He urges us, that is, to apprehend dreams on their own terms, in a manner that enables patients actually to experience the unconscious in its radical difference from waking thought. Lippmann delivers on his agenda lightly, with a sense of humor and practicality that will engage lay readers as well as analysts and therapists. He takes up questions of general interest that challenge us to reorient our thinking about dreams: How do children learn about dreams and their telling? Why are most dreams forgotten? How may we understand dreams about sleeping and waking, even dreams about dreaming? And he reengages issues of perennial interest to analytic therapists: dream disguise, dream forgetting, the "companionship" of dreams, the neurotic dream expert, and the therapist's management of his or her own anxiety when patients report their dreams. "Oh, I had a dream last night," the patient remembers. Too often, observes Lippmann, this remark signals the beginning of an unfortunate struggle, as the patient is called on to relate something that changes when it is put into words, the analyst is put on the spot to come up with an interpretation, and both are asked to extract something immediately useful - and lately, cost effective - from something that partakes of magic and mystery. How silly this ritual is, Lippmann argues, and how alien to the nature of the dream itself. After reading Nocturnes, no clinician, from the novice to the most senior, will hear the words "Oh, I had a dream last night" in quite the same way.

From his vivid memories, Clayton gathers a quirky cast of characters: Minnie, his zealously religious maternal grandmother, who refers to Kansas City as Sodom and Gomorrah; Buck, his paternal grandfather, a cold but handsome devil who commits suicide before Clayton's birth; Old Man Pierce, the callous, greedy pharmacist who cringes at the sight of Clayton and the rest of the "drugstore cowboys"; and Ed, the cabbie, who reads and quotes Spinoza while hanging out at the Home Plate, an all-night eatery and favorite haunt of Clayton's.

It is 1952, and in the opening pages of Little Gangster, Joey DAngelo, our young Sicilian protagonist, and his friend, Johnny Marino, are called late at night to First Street park where their gangster employer, Pepi Savino, is in the middle of an argument with another gangster, Nick Bonanti. Immediately after the two twelve year old boys arrive in the park, the confrontation becomes violent and Joey is told by Pepi to carry out a task which risks arrest for Joey and becomes one of the great challenges facing him in the novel. The boys have been running errands for Pepi and earning money for bets on stickball games. Joey has no moral concern about this work until he is called into the office of Peter Capra, Director of The Boys Club of New York, and is offered an opportunity for a scholarship to a New England prep school; but there is a catch: Joey must break all ties with Pepi Savino. Joey finally decides what to do, and in an exciting climax, he confronts Pepi with his decision. In this dramatic coming-of-age tale, Joey takes the first steps toward realizing the American dream, its pursuits, its challenges and sacrifices. For 140 years, The Boys Club of New York, (BCNY), has combined a single-minded focus on boys and young men with a unique multi-disciplinary approach which prepares them for a fulfilling and meaningful adulthood. The Boys Club accomplishes this through an approach which includes music and arts programs, social activities, academic support and athletics. By introducing them to new ideas in a nurturing environment, BCNY helps shape them into the best adults they can be. The Boys Club of New York has sent over 2,000 boys to prep schools and colleges throughout the country since 1952. A percentage of all book sales will go to support programming at the Boys Club of New York. To learn more about The Boys Club of New York, visit www.bcny.org.

Across a city a harried doctor makes his rounds: A dying child. A fatal streetcar accident. A stillborn delivery. A house-call to a mansion where, beneath an evocative painting of Susanna and the Elders, a former lord of the financial district broods upon his vanished power and awaits death in the company of his mercenary butler. Thus begins Middens of the Tribe, part family saga, part naturalistic novella. As the relationships between the characters reveal themselves, what emerges is a Tarot of the unfulfilled. The frustrated artist. His lover, who posed as Susanna. A roughneck roundhouse worker. Wilma, whose identity is one of the book's most disturbing secrets. The tongue-tied office boy. The illusionist Doctor Magic and his long-suffering assistant. The tycoon. His scathingly self-deluded wife. Their children, a mysteriously estranged daughter and two sons, one following, however falteringly, in his father's footsteps, the other an archaeologist searching through the detritus of ancient lives for clues to the mysteries of his own: Can the middens of the tribe I study tell if family strife always reveals a culture's dynamics, if, amid bones, flints, sufferings are the same? Memories, nightmares, reveries intersect in Middens of the Tribe, unveiling a stark, four-dimensional nexus of lives intertwined -- leavened by touches of the comic and grotesque: a cubist rendering of alienation, intimacy, and loss. Daniel Hoffman's accomplishment is an ambitious one. For both narrative power and poetic intensity, Middens of the Tribe is an unforgettable book.

This Is All I Got, looks back on a short period of time in a young boy’s life when the world seems to be spinning out of control. The years of innocents that shape our aspirations and excite our minds with dream of something better. As we live each day in the cold stark reality of struggle and rejection. What propels one to fulfill a dream. When does innocence end? Join Willy as he navigates the street of Queens, New York in the turbulence of the late 60’s. As the world around Willy shifts and leaves his childhood behind.

The legendary actor chronicles his odyssey from a hard-knock childhood as the son of immigrant parents to Hollywood success, detailing his days as a tinseltown playboy, the film industry during Hollywood's Golden Era, and his life as an artist at the age of eighty.