The planet's most badass metal band takes control of comics! The ultimate thrash juggernaut, Slayer has dominated stages and destroyed audiences for over thirty years, with their latest album, Repentless, showing no signs of slowing down or showing mercy. Based on the brutal Repentless video trilogy by B. J. McDonnell, this expansion of the video storylines by writer Jon Schnepp (Metalocalypse, Venture Brothers) and illustrator Guiu Vilanova (Conan, Weird Detective) drives deep into the darkest heart of America, spawning a raging road trip down a bloodstained highway, a tale of the doomed, the damned . . . and the repentless! This is pure satanic, evil filth."--The Vigilant Christian (on Slayer's Repentless video) "We're telling the story that we've always told about society and how humans treat each other."--Tom Araya, Slayer

SLAYER TAKES CONTROL! The planet's most badass metal band takes control of comics! The ultimate thrash juggernaut, Slayer has dominated stages and destroyed audiences for over thirty years, with their latest album, Repentless, showing no signs of slowing down or showing mercy. Based on the brutal Repentless videos, this expansion of the video story lines drives deep into the darkest heart of America, a raging road trip down a bloodstained highway, a tale of the doomed, the damned . . . and the repentless! Story based on the Slayer videos written and directed by B. J. McDonnell (Hatchet III). Script by director/producer Jon Schnepp (Metalocalypse, The Venture Bros., The Death of Superman Lives). "We're telling the story that we've always told about society and how humans treat each other."„Tom Araya, Slayer

"This volume collects the Dark Horse comic book series Weird Detective #1-#5 originally published June-October 2016"--Title page verso.

This timely rock biography answers burning questions, shatters popular myths, and uncovers new truths about Slayer, the iconic group that became the embodiment of heavy metal. The full-length, exhaustively researched account of the thrash kings' career recaps and reevaluates the years guitar hero Jeff Hanneman and drum legend Dave Lombardo were in the group. Over the course of 59 chapters, 400 footnotes and three appendices, it profiles the members and presents dramatic scenes from 32 years in the Abyss: A fresh look at the group's early days. Reign in Blood tours. A European invasion. The Palladium riot. The seat cushion chaos concert. Newly unearthed details from Lombardo's turbulent history with the band. Historical artwork and photos never seen in public before. The entire diabolical discography. Hanneman's hard times. The Big Four's big year. Lombardo's final exit. The top 11 Hanneman tributes. The mosh memorial service. Untold stories. Updates. And relevant digressions, including a contrasting look at other contemporaries and cutting-edge extreme bands. Over decades, Slayer experience triumph and loss, but never defeat, whether it's at the hands of rivals, peers, America's most infamous church, or the United States government itself. In addition to extensive archival material, this book features original content from the band, key affiliates, and firsthand witnesses, including Metal Blade CEO Brian Slagel, former tour manager Doug Goodman, engineer Bill Metoyer, former Metal Blade exec William "DJ Will" Howell, and cover artist Albert Cuellar (who went on to work with Tim Burton, Sublime, and Sir Mix-A-Lot). It also includes Jeff Hanneman's original diagram for the Live Undead picture disc (spoiler: it's a stick-figure sketch). Slayer fans will never see - or hear - the thrash metal champions the same way. 33 photos and 11 illustrations include lost artwork by Hell Awaits artist Albert Cuellar and stunning exclusive pictures by Harald Oimoen (of Murder in the Front Row renown).

"If you love craft beer, you’ll love this book." —The Tomato The story behind Alberta's craft beer boom. An insider’s look that brings together tasting notes, social history, politics, and science. When Alberta eliminated its laws around mandatory minimum brewing capacity in 2013, the industry suddenly opened to the possibility of small-batch craft breweries. From roughly a dozen in operation before deregulation, there are now more than a hundred today, with new ones bubbling up each month. It’s an inspiring story, one that writer Scott Messenger tells in impressive scope. At a time when Alberta was still recovering from the plunge in oil prices in 2008, deregulation represented a path to economic diversification. Messenger takes readers on the road with him to investigate artifacts left behind by Alberta brewers dating to the late-1800s, to farms responsible for the province’s unrivalled malt, and into the brewhouses and backstories of some of Canada’s best new beer makers. It’s an insider’s look at history in the making. With humour, straight-talking tasting notes, and a willingness to challenge stereotypes, Messenger introduces us to key players in the industry. We meet Graham Sherman of Tool Shed Brewing, who helped spearhead the change in legislation; Greg Zeschuk, whose Belgian-inspired brewery is poised to put Alberta beer on the global map; the sisters behind Northern Girls Hopyard, Alberta’s first hop farm; and many more. Messenger winds up his narrative with a good, old-fashioned pub crawl, a fitting finale for the story of an industry that is, at its heart, about having fun with friends. Bringing together social history, politics, and science, Tapping the West is engaging and balanced—not unlike the perfect you-know-what.

"From the depths of Mordhaus comes Dethklok, the most brutal black metal band on the planet, cutting a ferocious swath through the world's economies and playing massive shows that leave their unwaveringly loyal fans literally in pieces--they are the five men prophesied to bring about the Metalocalypse!" --Publisher description.

Slayer's controversial Reign in Blood remains the gold standard for extreme heavy metal: a seamless procession of 10 blindingly fast songs in just 28 minutes, delivered in furious bursts of an instrumental precision, with lyrics so striking that Tori Amos was moved to record a cover.