When the switchboard operators of Retropolis are replaced by an automated system, freelance adventurer Dash Kent investigates, discovering a complicated and twisted plan concocted by an insane civil engineer.

ROCKETS. ROBOTS. DEATH RAYS. MAD SCIENCE. THE FUTURE THAT NEVER WAS IS BACK. If Fritz Lang’s Metropolis somehow mated with Futurama, their mutant offspring might well be Slaves of the Switchboard of Doom. Inspired by the future imagined in the 1939 World Fair, this hilarious, beautifully illustrated adventure by writer and artist Bradley W. Schenck is utterly unlike anything else in science fiction: a gonzo, totally bonkers, gut-busting look at the World of Tomorrow, populated with dashing, bubble-helmeted heroes, faithful robot sidekicks, mad scientists, plucky rocket engineers, sassy switchboard operators, space pirates, and much, much more—enhanced throughout by two dozen astonishing illustrations. After a surprise efficiency review, the switchboard operators of Retropolis are replaced by a mysterious system beyond their comprehension. Dash Kent, freelance adventurer and apartment manager, is hired to get to the bottom of it, and discovers that the replacement switchboard is only one element of a plan concocted by an insane civil engineer: a plan so vast that it reaches from Retropolis to the Moon. And no one—not the Space Patrol, nor the Fraternal League of Robotic Persons, nor the mad scientists of Experimental Research District, nor even the priests of the Temple of the Spider God, will know what hit them. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In the city of Retropolis - where the future went, when we got something else - all science is Mad. So scientific laboratories are confined to the Experimental Research District. It's all laid out in the zoning laws, but when it comes down to it this is a matter of self defense. There's always the danger that something really awful might happen in the District: something so awful that it will escape to the city outside. That's why the Retropolis Registry of Patents keeps an eye on what the inventors of the District are doing from day to day. At the Registry you might meet Ben Bowman, a patent investigator who's smart in at least one or two of the ways that are important, and his friend Violet, the robot secretary. Violet is convinced that she ought to be an investigator herself. Between you and me, she's not wrong. But she's had a terrible time convincing one Patent Registrar after another that they ought to promote her; and, strangely, the Registrars never seem to last very long once they disagree. The first five of these illustrated stories ran (as serials) at Thrilling Tales of the Downright Unusual; the last story, 'The Enigma of the Unseen Doctor', is published here for the first time. Forty-four illustrations round out this book by the author/illustrator of 'Slaves of the Switchboard of Doom', which Publishers Weekly called "a strong and entertaining debut".

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective. The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission. Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.

“A funny, savage appraisal of a totally automated American society of the future.”—San Francisco Chronicle Kurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality. Praise for Player Piano “An exuberant, crackling style . . . Vonnegut is a black humorist, fantasist and satirist, a man disposed to deep and comic reflection on the human dilemma.”—Life “His black logic . . . gives us something to laugh about and much to fear.”—The New York Times Book Review

"The Krakau came to Earth to invite humanity into a growing alliance of sentient species. But they hadn't counted on a mutated plague wiping out half the human population, turning the rest into shambling, near-unstoppable animals, and basically destroying human civilization. You know, your standard apocalypse. The Krakau's first impulse was to turn around and go home. (After all, it's hard to have diplomatic relations with mindless savages who eat your diplomats.) Their second impulse was to try to fix us. Now, a century later, human beings might not be what they once were, but at least they're no longer tryiying to eat everyone. Mostly."--Jacket flap.

A Fighting Man of Mars Edgar Rice Burroughs - A Fighting Man of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the seventh of his Barsoom series. Burroughs began writing it on February 28, 1929, and the finished story was first published in The Blue Book Magazine as a six-part serial in the issues for April to September 1930. It was later published as a complete novel by Metropolitan in May 1931.A Fighting Man of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the seventh of his Barsoom series. Burroughs began writing it on February 28, 1929, and the finished story was first published in The Blue Book Magazine as a six-part serial in the issues for April to September 1930. It was later published as a complete novel by Metropolitan in May 1931.