An argument that Louisiana's criminal justice system, is a genocidal weapon that has historically targeted African American's in order to keep them marginalized and maintain white supremacy. Slave State is a collection of essays written by an innocent man convicted of murder and sentenced to serve out the balance of his natural life in the infamous Angola State Prison. The author is arrested in California in 1990 and transported to Louisiana where he finds himself in a surreal condition of confinement that resembles Louisiana as it existed in the early 1800's. Once he is placed back in slavery he learns that the political correctness and civility presented by whites in the U.S. is only an act. When he arrives at the Louisiana Penitentiary, he is met with a venomous racist system that most people assume died away years ago.

How is the state produced? In what ways did enslaved African Americans shape modern governing practices? Ryan A. Quintana provocatively answers these questions by focusing on the everyday production of South Carolina's state space—its roads and canals, borders and boundaries, public buildings and military fortifications. Beginning in the early eighteenth century and moving through the post–War of 1812 internal improvements boom, Quintana highlights the surprising ways enslaved men and women sat at the center of South Carolina's earliest political development, materially producing the state's infrastructure and early governing practices, while also challenging and reshaping both through their day-to-day movements, from the mundane to the rebellious. Focusing on slaves' lives and labors, Quintana illuminates how black South Carolinians not only created the early state but also established their own extralegal economic sites, social and cultural havens, and independent communities along South Carolina's roads, rivers, and canals. Combining social history, the study of American politics, and critical geography, Quintana reframes our ideas of early American political development, illuminates the material production of space, and reveals the central role of slaves' daily movements (for their owners and themselves) to the development of the modern state.

This book describes the turbulent transformation of South Carolina from a colony rent by sectional conflict into a state dominated by the South's most unified and politically powerful planter leadership. Rachel Klein unravels the sources of conflict and growing unity, showing how a deep commitment to slavery enabled leaders from both low- and backcountry to define the terms of political and ideological compromise. The spread of cotton into the backcountry, often invoked as the reason for South Carolina's political unification, actually concluded a complex struggle for power and legitimacy. Beginning with the Regulator Uprising of the 1760s, Klein demonstrates how backcountry leaders both gained authority among yeoman constituents and assumed a powerful role within state government. By defining slavery as the natural extension of familial inequality, backcountry ministers strengthened the planter class. At the same time, evangelical religion, like the backcountry's dominant political language, expressed yet contained the persisting tensions between planters and yeomen. Klein weaves social, political, and religious history into a formidable account of planter class formation and southern frontier development.

A stark expose of the enslavement, trafficking, sexual starvation and general abuse of workers in the Gulf Arab Region.

Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.

Tying together legal, historical, social, political and literary strands to show how the law itself was implicated in the persistence of slavery, this work sheds new light on slavery and Southern history, as it probes the conscience of a troubled jurist incapable of fully transcending his times.

The Washington University Libraries presents an online exhibit of documents regarding the Dred Scott case. American slave Dred Scott (1795?-1858) and his wife Harriet filed suit for their freedom in the Saint Louis Circuit Court in 1846. The U.S. Supreme Court decided in 1857 that the Scotts must remain slaves.