When it comes to flying gliders, ace pilot Breeze Callaghan is as smooth as they come. He perfects a skill that will prove vitally important for decades to come—even into the jet age, as demonstrated by Captain Sully Sullenberger, who famously landed his disabled passenger plane on the Hudson River. Sully’s jet was brought down by a flock of geese, while Breeze is going up against a vulture named Badger O’Dowell. Both pilots are vying for a Navy contract, and Badger would love to shoot the Breeze ... literally. Short of that he’ll do everything he can to sabotage Breeze in flight. It’s game on, and as Breeze is about to discover, Badger’s an expert at playing dirty. And there’s much more than money at stake: there’s his reputation, his life, and his love of a beautiful woman. A storm is brewing, and as for danger, the sky’s the limit when Sky Birds Dare! During his undergraduate days, L. Ron Hubbard served as the president of the George Washington Glider Club. He held numerous records for sustained powerless flight and was renowned for his wild aerial antics that, according to an eyewitness, “made women scream and strong men weep.” In short, there wasn’t a single flying feat in Sky Birds Dare! that Hubbard himself hadn’t dared to do on his own. “Highly recommended for aviation action/adventure pulp fiction fans.” —Midwest Book Review

Chee-Chalker: a newcomer to Alaska and the Klondike; an Indian word meaning one who is inexperienced or has no knowledge; a tenderfoot. Bill Norton might be new to Ketchikan but he’s no tenderfoot. In fact, he’s one of the sharpest FBI agents this side of the Yukon—savvy, tough and resourceful, like Harrison Ford as Jack Ryan in Clear and Present Danger. Norton’s come to this rough-and-tumble town to look into a case of a missing person—his own boss—who vanished investigating a heroin smuggling operation. What Norton finds is a string of corpses, a gallery of rogues, and a fleet of fishing boats that specialize in red herrings. He also finds himself warming up to the heart-stopping halibut heiress Elaine Halloway. But is Elaine mixed up in the heroin trade . . . or a victim of it? To find the truth Norton will have to make living men sweat—and dead men talk. Because every body fished out of the icy waters has a story to tell, and it will take all of Norton’s CSI-like skills to squeeze it out of them. Hubbard wrote The Chee-Chalker in 1940 while on his Alaskan Experimental Radio Expedition. One of its main purposes was to test an experimental radio navigation system enabling the user to locate the source of radio transmissions. While in Ketchikan, Ron used this equipment to assist the US Army Signal Corp, Coast Guard and local FBI. In the process he helped uncover a Nazi saboteur who had invented a device to interfere with radio transmissions between Alaska and the continental United States. So it’s not surprising that a radio station plays a significant role in this story.

He’s handsome. He’s charming. He’s a total gentleman . . . and he’s totally outgunned and outnumbered. He’s Michael Patrick Obañon—a role that has Antonio Banderas written all over it. Obañon’s lost his inheritance—a 100,000-acre New Mexico spread—and he could lose his life if he’s not careful. A ruthless band of renegades have seized his land, and he’s determined to get it back.. Obañon’s got one secret weapon: his fierce intelligence. He can’t outshoot the outlaws, so he’ll have to find a way to outwit them. . . . Part Irish, part Mexican, Michael Patrick Obañon is as American as they come—crafty, confident, and cool under fire. It may be one man against the world, but before he’s done the world will know how the West will be won. In the 1930s a radio program, Writers and Readers, hosted by Bob de Haven, delivered news of the hottest authors of the day—interviewing the writers behind the stories. Here’s how he promoted an upcoming broadcast with L. Ron Hubbard: “He has placed in print a million and a half words. He is a quantity producer, well paid and in constant demand. He has outlined some valuable information on his lead novelette . . . Six-Gun Caballero.” It is an introduction to Hubbard that is as pertinent now as it was then. “Hubbard uses the traditional Western form to tell a challenging and unpredictable story, where the hero outwits his attackers instead of merely having to outshoot them. . . . so intelligent and suspenseful.” —SomebodyDies.com

Farmer Eben Smith is fed up with big government paying him to bury his crops while folks starve in the streets. He's loading up his fruits and vegetables, and heading for the city. But before he can trade in his turnips, he'll have to deal with something bigger--a break in the space/time continuum--as he plunges into strange new worlds, wreaking havoc in all of them.

In the classic western movie The Searchers Jeffrey Hunter plays a young man with a mission in his heart and a chip on his shoulder. The character might well have been modeled on eighteen-year-old Lee Thompson, a trail-hand on a mission of his own—to save his dad, Diehard Thompson, the aging sheriff of Wolf River, Montana. Old Diehard’s lost control of his town, and it seems every outcast and outlaw west of the Mississippi is on the prowl in Wolf River. Now Lee’s come all the way from Texas to stand up for his father, a man who hasn’t seen him since he was a boy and who doesn’t know him from Adam. Lee’s plan is a dangerous one–mix in with the desperadoes and risk death at their hand Under the Diehard Brand. But sometimes, the only way to restore the rule of law is to break it. Most of the Westerns published in the all-fiction magazines of the first half of the twentieth century were written by authors more familiar with the streets of New York than the cattle trails of Texas. Hubbard bucked the trend, and in the process changed the face of the Western adventure. He grew up in a time and a place where the Old West, though fading, still lived. His unique knowledge of the frontier, of its ways and its people, made him an authentic voice of this unique American experience. Also includes the Western adventures, Hoss Tamer, in which a circus horse trainer turned bronco buster has to figure a way to tame a gang of outlaws, and The Ghost Town Gun Ghost, the story of an old prospector who seems to have lost his wits; but is he crazy . . . or crazy like a fox? “Rife with action and adventure and laced with melodramatic undertones.” —Library Journal

Ride a trail of blazing guns and two-fisted action in the Wild West as L. Ron Hubbard brings American history to life. Growing up in Montana provided him with the first-hand experience that added a tone of authenticity to his western tales. Readers will feel the heat, taste the dust and hear the thunder of horses’ hooves in these tales from a master storyteller of the genre. The 4-audiobook collection includes 10 short stories for 8 hours of immersive entertainment. All audiobooks are unabridged, full-cast productions with cinematic quality sound effects that bring the stories and characters to life. The titles and short stories in this collection are: King of the Gunmen (includes: “The No-Gun Gunhawk”), The Magic Quirt (includes: “Vengeance Is Mine!” and “Stacked Bullets”), The No-Gun Man (includes: “Man for Breakfast”) and Shadows from Boot Hill (includes: “The Gunner from Gehenna” and “Gunman!”). “With the flair of a Louis L’Amour or Zane Grey.” —True West Magazine -- L. Ron Hubbard

Lynn Taylor and his kid brother Frank may not be angels, but they’re not devils, either. They’re just a couple of men—two-fisted Texans who have landed on the wrong side of a corrupt lawman. And like Butch Cassidy and the Sundance Kid, they’re up to their necks in trouble. Young Frank’s been framed for robbery, rustling and murder, and if Lynn doesn’t think fast, his brother’s going to end up the guest of dishonor at a hanging party. Lynn cooks up a daring plan to clear his brother’s name and rope in the real outlaw. But it means Lynn will have to turn outlaw himself, and if he’s caught, it’ll be his neck on the line—and in the noose. Hailing from the western states of Nebraska, Oklahoma and Montana, Hubbard grew up surrounded by grizzled frontiersmen and leather-tough cowboys. When he chose to write stories of the Old West, Hubbard didn’t have to go far to do his research, drawing on his own memories of a youth steeped in the life and legends of the American frontier. Also includes the Western adventures, Ride ’Em Cowboy, the story of a man and woman’s rodeo rivalry that leads to romance, and Boss of the Lazy B, in which a lady gets swindled—and the swindler ultimately gets justice. “Rough and tumble action with a twist, and all are a great read.” —True West magazine * International Book Awards Finalist for best Western fiction 2012