Excerpt from Sketches of Life and Character in Hungary It is primarily in a spirit of gratitude that my fellow traveller and I dedicate to you this sketch of our wanderings in your Land: but lurking in my mind is the wish to tell you that I hold you in part responsible for the existence of this little book. We crossed your path, as strangers in quest of the pictun esque, and endowed with a great capacity for enjoyment. To this capacity you so ministered, that I for my part felt constrained to put my pen to an unfamiliar use, and to endeavour to tell the story of the summer days you gave us. That faults of inexperience should strew these pages is, I fear, inevitable. That some errors have crept in, is, I fear, but too probable; these, even if they should do injustice to your countrymen, I feel sure you will pardon, knowing me innocent in intention. Our interest in your country was first awakened by the eloquence of Professor Gyula Szedecaky, to whom, we shall ever. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Excerpt from Hungarian Sketches in Peace and War, Vol. 1: From the Hungarian of Moritz Jokal J orai is one of the most popular of the Hungarian prose writers of fiction that sprang up a few years before the late war. His wit, flowing style, and vivid descriptions of Hun gari'an life as it is, joined to a rich fancy and great intensity of feeling, soon made him a favourite with Hungarian readers. Among the earlier of his productions, those best known are a novel entitled, The Common Days, and a collection of minor tales, published under the title of Wild Flowers. The present volume has been written for the most part since the late memorable national movement, and embodies descriptions of several of the direst scenes in the civil war which devastated Hungary from the year 1848 to 1850. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Architect and designer Sig Bergamin is known for his eclectic vision and vivid interiors that are the perfect mélanges of chic. A constant traveller, Bergamin loves collecting treasures wherever he goes—totems that inspire and evolve his craft. He is also an avid art collector, a tendency that comes across in each of his meticulously designed spaces, where Warhols, Hirsts and Lichtensteins are seamlessly blended with minimalist and maximalist decor from around the world.

Excerpt from Sketches in Remembrance of the Hungarian Struggle for Independence and National Freedom: In the Years 1848, 1849, 1850& 1851 IN delivering to the subscribers this volume explanatory of my sketches of the late Hunga rian struggle for national freedom, I beg to offer a few remarks on behalf of my work, and, at the same time, to return my best thanks for the kindness with which it has been received. Both the artistic and literary parts of the work will show that the greatest pains have been taken to justify the confidence reposed in me, the drawings having been executed by eminent artists, and the text supplied by pens fully equal to the task. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Village Notary: A Romance of Hungarian Life All is silent and desolate, filling the mind with sad thoughts. Many generations passed over them without leaving a trace of their existence; and the traveller, as he pursues his solitary way across the heath, feels the mournful conviction that he too steps onward to the grave, that the plain will cover him as a boundless ocean. It was past noon when Susi, accompanied by the Liptaka, quitted the village. They halted near the outer Tsharda, from whence the Liptaka returned to Tissaret, while Susi, with a small bundle of pro visions under her arm, proceeded on the road to Kishlak, where she expected to find the Gulyash who was to give her news of Viola. The Tanya of the Gulyash was full seven miles distant from Tissaret, and, as the poor woman trudged on, she became painfully sensible of the effects of her late illness. More than once was she compelled to rest by the road-side, where the cold wind stiffened her limbs; and when she looked around on the vast heath, she felt overpowered by her own loneliness and the stillness around her. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from My Life and Acts in Hungary in the Years 1848 and 1849 The resistance of Hungary to Austria and Russia was broken, Kossuth and Szemere and their partisans saved themselves, like the Poles, on a neutral territory. I rejected flight; and the majority of the unfortunate combatants for Hungary against New Austria followed my example. Hereupon I was pardoned, and meanwhile banished to Carinthia. The decision on the fate of my companions, however, was left to the Master of the Ordnance, Baron Haynau. The striking contradiction between my pardon and the subsequent executions might have induced the relatives of some of those who were awaiting the decision of their case to suppose that it would be possible for me, by some means, to save these unfortunate men; for, immediately after the first executions at Arad and Pesth, I was requested by letters from various quarters to exert my presumed influence with the government of Austria in favor of one or other of the politically compromised persons who had come into the power of Baron Haynau. The failure of these applications needs scarcely to be mentioned. I had positively no influence at all to exert. I had, on the contrary, to perceive that it was my duty to suppress even the anxious cry for pardon, so long as Baron Haynau remained the absolute master of life and death to my companions in war. My intercession could but kindle still higher the pious zeal of the Baron. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 1989, the memorable year when the Wall came down, a university student in Berlin on his early morning run finds a corpse lying on a park bench and alerts the authorities. This classic police-procedural scene opens an extraordinary novel, a masterwork that traces the fate of myriad Europeans - Hungarians, Jews, Germans, Gypsies - across the treacherous years of the mid-twentieth century. The social and political circumstances of their lives may vary richly, their sexual and spiritual longings may seem to each of them entirely unique, yet Peter Nádas's magnificent tapestry unveils uncanny, reverberating parallels that link them across time and space. Three unusual men are at the heart of Parallel Stories: Hans von Wolkenstein, whose German mother is linked to dark secrets of fascist-Nazi collaboration during the 1940s, Ágost Lippay-Lehr, whose influential father has served Hungary's different political régimes for decades, and Andras Rott, who has his own dark record of dark activities abroad. They are friends in Budapest when we eventually meet them in the spring of 1961, a pivotal time in the postwar epoch and in their clandestine careers. But the richly detailed, dramatic memories and actions of these men, like those of their friends, lovers and family members, range from Berlin and Moscow to Switzerland and Holland, from the Mediterranean to the North Sea, and of course, across Hungary. The ever-daring, ever-original episodes of Parallel Lives explore the most intimate, most difficult human experiences in a prose glowing with uncommon clarity and also with mysterious uncertainty - as is characteristic of Nadas's subtle, spirited art. The web of extended dramas in Parallel Stories reaches not just forward to the transformative year of 1989 but back to the spring of 1939, with Europe trembling on the edge of war; to the bestial times of 1944-45, when Budapest was besieged, the final solution devastated Hungary's Jews, and the war came to an end; and to the cataclysmic Hungarian Revolution of October 1956. But there is much more to Parallel Stories than that: it is a daring, demanding, and very moving exploration of humanity at its most constrained and its most free.