Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.

This book explores the intricate and intimate relationship between military organization, imperial policy, and society in colonial South Asia. The chapters in the volume focus on technology, logistics, and state building. The present volume highlights the salient features of expansion and consolidation of imperial control over the subcontinent, and ultimate demise of the Raj. Further, it turns the spotlight on to subaltern challenges to imperialism as well as the role of non-combatants in warfare. The volume: • Deals with both conventional and guerrilla conflicts and focuses on the frontiers (both North-West and North-East, including Burma); • Looks at the army as an institution rather than present a chronological account of military operations, which highlights the complex and tortuous relationship between combat institution, colonial state, and Indian society; • Integrates top-down approaches in military and strategic studies with the bottom-up perspectives and discusses on how the conduct of war (organisation and technology) is related to the economic, societal, and cultural impact of war. A rich account of the British ‘Army in India’, this book will be essential reading for scholars and researchers of South Asian history, military history, political history, colonialism, and the British Empire.