Caldecott medalist Allen Say chronicles his experiences as an artist during World War II, and describes his relationship with his mentor Noro Shinpei, Japan's leading cartoonist.

A writer par excellence. A woman who had the courage to go against the grain. Who thought nothing of flinging societal restrictions to the wind and plunging into selfless service. Who could take that magical and most difficult step that separated truth from hypocrisy. Sketches from Memory is the autobiography of Laxmibai Tilak, who singularly championed the cause of girls' education in Maharashtra in the early twentieth century. Adeptly translated by Louis Menezes, it traces her relationship with her husband, the revolutionary Marathi poet, Narayan Wamanrao Tilak, through his conversion to Christianity and her self-education. Katha presents the story of Laxmibai Tilak's zest for life, love and god.

Edmund White’s charming, funny, telling series of vignettes of the Paris neighborhood where he and his lover, French architect and illustrator Hubert Sorin, lived. In this ode to Pairs, the everyday becomes extraordinary with White’s observations accompanied by Sorin’s illustrations. With characters like Father Pierre Riches, the “kind and elegant” catholic priest whose hair had been stroked by Cavafy, to Billy Boy, the jewelry designer with 16,000 Barbies, there is delightful eccentricity to this collaboration. Written during Sorin’s decline to AIDS, Our Paris is a poignant look at the couple and the city they loved.

From the Introduction: If you think about it, all life drawing and painting is at some point being done from the artist's memory, even if that memory is only a few seconds old. Every time the artist takes their eyes off of the model or scene and looks at their paper or canvas, their visual memory is involved. What if that artist's visual memory was highly trained? That artist might need the model for a shorter period of time, or she might have a more productive time when the model is in pose. He might be better at painting all of the fleeting effects that nature throws at us when we are landscape painting en plein air. Although I encourage you to consistently engage in memory-drawing practice, it should not supplant your regular art exercises. Memory-drawing ought to be done in addition to your regular art training, not instead of it. In a perfect world it would be integrated into traditional arts instruction, but the reality is that you will most likely be training your visual memory on your own. Memory Drawing: Perceptual Training and Recall exists to guide you in doing just that. It will also help you improve your abilities to remember fleeting effects, seize essentials, and even enhance your imagination.

DigiCat Publishing presents to you this special edition of "Sketches from Memory (From "Mosses from an Old Manse")" by Nathaniel Hawthorne. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Stuart Barnes has spent over forty years of his life immersed in rugby union, remembered as one of the most controversial playing names during the dying days of the English amateur era and now regarded as a controversial observers in the media – on both television and in print – with over two decades of broadcasting and journalistic experience to draw upon. Sketches from Memory combines autobiography with an objective and off-beat study of the sport from the author's childhood in the 1970s, through the revolution of the transition to professionalism in the 1980s and 1990s, right up until the present day. Eschewing the more traditional form of the sports book, Barnes abandons chronology to allow past and present to mingle, presenting his memoirs as an alphabetical soup with the letters of the alphabet and not the numbers, dates and years of his life leading the narrative. It is a refreshing, beguiling and absorbing approach that allows the dedicated reader to complete the book in sequence, or the bed-side reader to flick from one letter to the next without losing the thread. Honest, insightful, funny and wise, Sketches from Memory is a fascinating study of the game of rugby union, exploring its myriad enchantments, controversies and world-famous characters like no other book has done before.