This bilingual edition of these classic folk dramas is produced for both those acting in the plays, or for students of the literature.

Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

Conventional scholarship on written communication positions the Western alphabet as a precondition for literacy. Thus, pictographic, non-verbal writing practices of Mesoamerica remain obscured by representations of lettered speech. This book examines how contemporary Mestiz@ scripts challenge alphabetic dominance, thereby undermining the colonized territories of "writing." Strategic weavings of Aztec and European inscription systems not only promote historically-grounded accounts of how recorded information is expressed across cultures, but also speak to emerging studies on "visual/multimodal" education. Baca-Espinosa argues that Mestiz@ literacies advance "new" ways of reading and writing, applicable to diverse classrooms of the twenty-first century.

One of the great festival traditions shared by Pueblo and Hispano across New Mexico is the celebration Los Comanches. In this series of winter festivals, communities come alive with colorful processions, boisterous ceremonial dance, allegorical nativity plays, and a folk drama on horseback which portrays the 1779 defeat of famed war chief Cuerno Verde. In a mixture of defiance and emulation, these events honor the historic relations of war and peace with the Comanches, the feared and admired warriors and traders of the south plains who once held the fate of all New Mexico in their hands. Lamadrid and Gandert provide historic, poetic, and photographic documentation of one of the richest legacies of the upper Rio Grande, a cultural crossroads known for its mestizo traditions and transcultural exchanges. A CD anthology of "Comanche" music accompanies a stunning selection of Gandert's photographs.

“Aguinaldos y villancicos, recetas, tradiciones de Navidad”—songs, recipes, and traditions of Christmas from the nineteen Spanish-speaking countries of Middle and South America, as well as from the one state that is officially bi-lingual, are included in this well-researched book. There is a wealth of Christmas music, much of it unknown to North Americans, with tunes and guitar chords, words and translations. And there are recipes from each country for holiday foods, ranging from simple beverages to complex tamales and desserts—from “gingebre” to “hallaca” and “tres leches.” Also included are customs and traditions from each of the countries, some common to all, others specific to place, all reflecting the joys of Christmas. An index, glossary, and extensive bibliography make this a valuable resource for readers of all interests. VIRGINIA NYLANDER EBINGER wass a retired music teacher and a teacher trainer, researcher, and author, with special interest in the Hispanic folklore of New Mexico. Among her other publications are “Niñez: Spanish Songs, Games and Stories of Childhood” and “De Colores.”

There are a variety of people, practices, and celebrations in the Catholic Church. At times some of these can be dismissed too easily as extreme, superstitious, or uninformed. Such is the case with the Penitentes of New Mexico. In I Was and I Am Dust, David M. Mellott shares his experiences of the Penitentes as an outsider. Through the voice of Larry Torres, one of the senior members of the Penitentes, Mellott poignantly provides readers with a more intimate picture of this community of practitioners. Readers may be surprised to discover a depth of meaning in these seemingly extreme Holy Week ritualsand to realize the beauty of being dust.

Book is clean and tight. No writing in text. Like New