George Goring was in many ways the archetypal cavalier, often portrayed as possessing all the worst characteristics associated with the followers of King Charles I. He drank copiously, dressed and entertained lavishly, gambled excessively, abandoned his wife frequently, and was quick to resort to swordplay when he felt his honour was at stake. Yet, he was also an active Member of Parliament and a respected soldier, who learnt his trade on the Continent during the Dutch Wars, and put his expertise to good use in support of the royalist cause during the English Civil War. In this, the first modern biography of Goring, the main events of his life are interwoven with the wider history of his age. Beginning with his family background in Sussex, it charts his successes at court and exploits in the service of the Dutch, culminating in his experiences at the siege of Breda in 1637, and his role in the Bishops' Wars. However, it is his key role as a royalist general during the Civil War that is the major focus of this book, which concludes with Goring's years of exile during the Republic. This fascinating and illuminating account of Goring's life, character and actions, provides not only a fresh examination of this contentious figure, but also reveals much about English society and culture in the first half of the seventeenth century.

Understanding Early Modern Primary Sources is an introduction to the rich treasury of source material available to students of early modern history. During this period, political development, economic and social change, rising literacy levels, and the success of the printing press, ensured that the State, the Church and the people generated texts and objects on an unprecedented scale. This book introduces students to the sources that survived to become indispensable primary material studied by historians. After a wide-ranging introductory essay, part I of the book, ‘Sources’, takes the reader through seven key categories of primary material, including governmental, ecclesiastical and legal records, diaries and literary works, print, and visual and material sources. Each chapter addresses how different types of material were produced, whilst also pointing readers towards the most important and accessible physical and digital source collections. Part II, ‘Histories’, takes a thematic approach. Each chapter in this section explores the sources that are used to address major early modern themes, including political and popular cultures, the economy, science, religion, gender, warfare, and global exploration. This collection of essays by leading historians in their respective fields showcases how practitioners research the early modern period, and is an invaluable resource for any student embarking on their studies of the early modern period.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

A story of chivalry and vanity, loyalty and betrayal. The most brilliant servant of the royal Stuarts was betrayed by them.