When Franklin Roosevelt, Winston Churchill, and Joseph Stalin met in Yalta in February 1945, Hitler’s armies were on the run, and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace—but instead they set the stage for a forty-four year division of Europe into Soviet and Western spheres of influence. After fighting side by side for nearly four years, their political alliance was beginning to fracture. Although the most dramatic Cold War confrontations such as the Berlin airlift were still to come, a new struggle for global hegemony had got underway by August 1945 when Truman used the atomic bomb on Hiroshima. Six Months in 1945 brilliantly captures this momentous historical turning point while illuminating the aims and personalities of larger-than-life political giants.

The author of this volume was present during the final decade of the Soviet empire, first for Reuters, then for the "Washington Post". While Dobbs watched, playwrights and elctricians were transformed into presidents, while Communist Party leaders became jailbirds or newly-minted tycoons. He identifies the seeds of destruction, and shows how Mikhail Gorbachev, in particular, was the unwitting inspiration for the upheaval of the empire, while he thought he could save the Communist Party by reforming it.;Dobbs' conclusion is that though Big Brother may be dead, his dark legacy is still alive in the turbulence in Russia, Romania, Bosnia and other countries that once made up the most brutal empire of the 20th century.

The 1940s was probably the most dramatic and decisive decade of the 20th century. This volume explores the Second World War and the origins of the Cold War from the vantage point of two of the great powers of that era, Britain and the USA, and of their wartime leaders, Churchill and Roosevelt. It also looks at their chequered relations with Stalin and at how the Grand Alliance crumbled into an undesired Cold War. But this is not simply a story of top-level diplomacy. David Reynolds explores the social and cultural implications of the wartime Anglo-American alliance, particularly the impact of nearly three million GIs on British life, and reflects more generally on the importance of cultural issues in the study of international history. This book persistently challenges popular stereotypes - for instance on Churchill in 1940 or his Iron Curtain speech. It probes cliches such as 'the special relationship' and even 'the Second World War'. And it offers new views of the familiar, such as the Fall of France in 1940 or Franklin Roosevelt as 'the wheelchair president'. Incisive and readable, written by a leading international historian, these essays encourage us to rethink our understanding of this momentous period in world history.

Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.

ONE OF USA TODAY'S BEST BOOKS OF THE YEAR • A riveting account of the crucial days, hours, and moments when the Watergate conspiracy consumed, and ultimately toppled, a president—from the best-selling author of One Minute to Midnight. In January 1973, Richard Nixon had just been inaugurated after winning re-election in a historic landslide. He enjoyed an almost 70 percent approval rating. But by April 1973, his presidency had fallen apart as the Watergate scandal metastasized into what White House counsel John Dean called “a full-blown cancer.” King Richard is the intimate, utterly absorbing narrative of the tension-packed hundred days when the Watergate conspiracy unraveled as the burglars and their handlers turned on one another, exposing the crimes of a vengeful president. Drawing on thousands of hours of newly-released taped recordings, Michael Dobbs takes us into the heart of the conspiracy, recreating these traumatic events in cinematic detail. He captures the growing paranoia of the principal players and their desperate attempts to deflect blame as the noose tightens around them. We eavesdrop on Nixon plotting with his aides, raging at his enemies, while also finding time for affectionate moments with his family. The result is an unprecedentedly vivid, close-up portrait of a president facing his greatest crisis. Central to the spellbinding drama is the tortured personality of Nixon himself, a man whose strengths, particularly his determination to win at all costs, become his fatal flaws. Rising from poverty to become the most powerful man in the world, he commits terrible errors of judgment that lead to his public disgrace. He makes himself—and then destroys himself. Structured like a classical tragedy with a uniquely American twist, King Richard is an epic, deeply human story of ambition, power, and betrayal.

A marvelous global history of the pivotal year 1945 as a new world emerged from the ruins of World War II Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it. In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political “reeducation” was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective. A poignant grace note throughout this history is Buruma’s own father’s story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war’s end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into “normalcy” stand in many ways for his generation’s experience. A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.