Six-Gun Tarot is the first book in the twisted weird west world of the Golgotha series by R.S. Belcher. Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town that hides more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; some say he is a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. A banker's wife belongs to a secret order of assassins. And a shady saloon owner, whose fingers are in everyone's business, may know more about the town's true origins than he's letting on. A haven for the blessed and the damned, Golgotha has known many strange events, but nothing like the primordial darkness stirring in the abandoned silver mine overlooking the town. Bleeding midnight, an ancient evil is spilling into the world, and unless the sheriff and his posse can saddle up in time, Golgotha will have seen its last dawn...and so will all of Creation. R.S. Belcher's The Six-Gun Tarot is "an astonishing blend of first-rate steampunk fantasy and Western adventure." (Library Journal, Starred Review) Other Books by R.S. Belcher: The Golgotha Series The Six-Gun Tarot The Shotgun Arcana Nightwise The Brotherhood of the Wheel At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Death Waits in the Dark - Six Guns Don't Miss" is a thrilling story about a Night Stalker at war. This is the story of an attack helicopter pilot who flew with the renowned 160th Special Operations Regiment (Airborne), and the incredible friendships Greg Coker and his fellow compatriots forged in the heat of combat.The Night Stalkers, officially known as the 160th Special Operations Aviation Regiment, are the best helicopter pilots and crews in the world. These are the crews who fly America's top special operations units to combat. They can reach any target, plus or minus 30 seconds, as they take pride in saying. The Battle of Mogadishu, the Osama bin Laden mission, and the Abu Bakr al-Baghdadi raid are just some of their exploits that have made it through to the public.When you hear about special operations troops doing something incredible on the ground, it's almost always because 160th SOAR pilots like Gregory "Gravy" Coker flew them in, provided air support, and whisked them back out -- all under cover of darkness.Alexander Hollings writes - "The 160th Special Operations Aviation Regiment, commonly called the Night Stalkers, are widely considered to be among the best military aviators on the planet. Coker's new book, "Death Waits in the Dark: Six Guns Don't Miss" promises to give us a glimpse into this elite and secretive world, and came with some help from Sandboxx's own resident Delta Force legend, George E. Hand IV."

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY In the tradition of Tobias Wolff, James Ellroy, and Mary Karr, a stunning memoir of a mother-son relationship that is also the searing, unflinching account of a murder and its aftermath Tombstone, Arizona, September 2001. Debbie St. Germain’s death, apparently at the hands of her fifth husband, is a passing curiosity. “A real-life old West murder mystery,” the local TV announcers intone, while barroom gossips snicker cruelly. But for her twenty-year-old son, Justin St. Germain, the tragedy marks the line that separates his world into before and after. Distancing himself from the legendary town of his childhood, Justin makes another life a world away in San Francisco and achieves all the surface successes that would have filled his mother with pride. Yet years later he’s still sleeping with a loaded rifle under his bed. Ultimately, he is pulled back to the desert landscape of his childhood on a search to make sense of the unfathomable. What made his mother, a onetime army paratrooper, the type of woman who would stand up to any man except the men she was in love with? What led her to move from place to place, man to man, job to job, until finally she found herself in a desperate and deteriorating situation, living on an isolated patch of desert with an unstable ex-cop? Justin’s journey takes him back to the ghost town of Wyatt Earp, to the trailers he and Debbie shared, to the string of stepfathers who were a constant, sometimes threatening presence in his life, to a harsh world on the margins full of men and women all struggling to define what family means. He decides to confront people from his past and delve into the police records in an attempt to make sense of his mother’s life and death. All the while he tries to be the type of man she would have wanted him to be. Praise for Son of a Gun “[A] spectacular memoir . . . calls to mind two others of the past decade: J. R. Moehringer’s Tender Bar and Nick Flynn’s Another Bull____ Night in Suck City. All three are about boys becoming men in a broken world. . . . [What] might have been . . . in the hands of a lesser writer, the book’s main point . . . [is] amplified from a tale of personal loss and grief into a parable for our time and our nation. . . . If the brilliance of Son of a Gun lies in its restraint, its importance lies in the generosity of the author’s insights.”—Alexandra Fuller, The New York Times Book Review “[A] gritty, enthralling new memoir . . . St. Germain has created a work of austere, luminous beauty. . . . In his understated, eloquent way, St. Germain makes you feel the heat, taste the dust, see those shimmering streets. By the end of the book, you know his mother, even though you never met her. And like the author, you will mourn her forever.”—NPR “If St. Germain had stopped at examining his mother’s psycho-social risk factors and how her murder affected him, this would still be a fine, moving memoir. But it’s his further probing—into the culture of guns, violence, and manhood that informed their lives in his hometown, Tombstone, Ariz.—that transforms the book, elevating the stakes from personal pain to larger, important questions of what ails our society.”—The Boston Globe “A visceral, compelling portrait of [St. Germain’s] mother and the violent culture that claimed her.”—Entertainment Weekly

Twenty-first-century private detective Conrad Metcalf has a dead doctor on his hands, a monkey on his back, and a kangaroo in his waiting room in a first novel with a sharp-edged, funny vision of the future.

DIVTwo visions of the world gone mad, from master storyteller John Jakes/divDIV In On Wheels, the United States has become so overpopulated that a tenth of its people have no home. Instead, they spend their lives on the highway. With all of the dangers of the road, dropping below forty miles per hour would mean certain death—even for men like Billy Spoiler. The clans of the open road spend their lives battling each other for control of the freeway, and the Spoilers are no exception. They never give up, never pull over, and never take their hand off the throttle./divDIV /divDIVOn the colony world of Six-Gun Planet, cowboys ride robot horses. In an effort to escape the corrupting influence of technology, the people of this strange, isolated world they call Missouri have reset the clock to 1880, building a civilization of main streets, saloons, and bordellos, where it is always high noon. Reluctant gunslinger Zak Randolf thinks the whole set-up is ridiculous, but he goes along with it because there’s good money in playing the part of a western hero. When notorious gunslinger Buffalo Yung challenges him to a duel, though, Zak gets serious. Missouri’s horses may be fake, but its bullets are definitely real. /divDIV /divDIVThis ebook bundle features an illustrated biography of John Jakes including rare images from the author’s personal collection./div

In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to "reimagine" himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of "civilization"), it is fundamentally a man's world, offering an important view of male identity. Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genre's major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique. For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.