Here are six plays that stand as landmarks of the modern drama: Chekhov’s THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben’s THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw’s MRS. WARREN’S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O’Casey’s RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland—and in man. Williams’s THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller’s ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays “modern.” But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless.

“Mr. Linney continues to be one of our most perceptive chroniclers of the folkways of rural America, finding humanity and nobility in the most remote of places.” –Mel Gussow, New York Times “Linney’s words do it all, summoning up vistas of scary beauty and passions of elemental force.” –David Richards,Washington Post “His output was dazzling in its variety and exceptional for its depth as well as its breadth of scope. Goering at Nuremberg, Lord Byron’s daughter, the Washington novels of Henry Adams: Life, literature, and history were all his materials, not to be milled down into iconic emptiness, but to be explored for the values they might carry…One of America’s best playwrights.” –Michael Feingold, Village Voice Romulus Linney is one of American drama’s best-kept secrets. Uniquely adept at capturing the idiomatic poetry of his native South, he maneuvers with equal grace through the vernacular of New York’s contemporary intelligentsia and the voices of a wide range of historical figures. In Childe Byron, the dying daughter of the notorious Lord Byron conjures a confrontation with the father she never knew. In 2, Linney scrutinizes Hitler’s infamous second-in-command, Hermann Goering, behind the scenes at the Nuremberg trials. Tennessee celebrates the indomitability of early Appalachian mountain settlers, while Heathen Valley reveals the same region’s citizens’ subsequent search for faith. In FM, an authentic genius stumbles into the creative writing course of a small Alabama college. Set among SoHo literati, April Snow is a compassionate study of a world-weary screenwriter. Endowed with Linney’s lyric intensity, augmented by his rich sense of humor, the six plays in this volume illuminate a major talent of the American Theatre.

Fills a Need: For biblically based, thoroughly researched plays for a general audience. Is Fun: Laugh as members of the body of Christ sing and dance their way into your church. See others--and maybe yourself!--in the kindness of Heart, the gossip of Ear, the pride of Head, and the independence of Eye. Honors Women: Lets Mary tell Joseph of the angel Gabriel's visit. Recognizes Elizabeth's importance; she tells Luke 1 from her perspective. Is Funny: Human beings get in fixes and messes. Watch how God--with gentleness, humor, and tough love--delivers his people time and again. Encourages Participation: Suitable for actors ages nine to ninety-nine! Fosters Dialogue: Each play ends with Questions for Discussion. Shows Theology in the Making: Do theology the Godly way--with boots on the ground! Consider this evangelism model: The disciples have just seen the risen Lord Jesus ascend into heaven and can't wait to tell all Jerusalem! Invites Imagination: The characters in Proverbs gather in the marketplace and tell Simple Youth, a first-year university student, about their lifestyles. Which will he follow? Promotes This Concept: We all play our lives on stage to an audience of One: God.

This House explores Westminster and the 1974 hung parliament through a combination of dialogue, comedy and political comment; and historical and contemporary concerns.

Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.