The book examines the shaping of popular culture of Orissa over the last two hundred years. It brings together six articles, which delineate different aspects of the social and cultural history of Orissa health and disease, caste, class, gender, popular perceptions and literary constructions. Also included are two field notes that focus on certain vital issues of contemporary relevance in Korapat.

This edition examines the implications of recent developments, challenges and disputes that have become important to debates in social theory including new commentaries on key authors. It also explores the extent to which how we situate social theory may need re-examining.

This classic introduction to the study of history invites the reader to stand back and consider some of its most fundamental questions - what is the point of studying history? How do we know about the past? Does an objective historical truth exist and can we ever access it? In answering these central questions, John Tosh argues that, despite the impression of fragmentation created by postmodernism in recent years, history is a coherent discipline which still bears the imprint of its nineteenth-century origins. Consistently clear-sighted, he provides a lively and compelling guide to a complex and sometimes controversial subject, while making his readers vividly aware of just how far our historical knowledge is conditioned by the character of the sources and the methods of the historians who work on them. The sixth edition has been revised and updated with key new material including: - a brand new chapter on public history - sections on digitised sources and historical controversy - discussion of topics including transnational history and the nature of the archive - an expanded range of examples and case studies - a comprehensive companion website providing valuable supporting material, study questions and a bank of primary sources. Lucid and engaging, this edition retains all the user-friendly features that have helped to make this book a favourite with both students and lecturers, including marginal glosses, illustrations and suggestions for further reading. Along with its companion website, this is an essential guide to the theory and practice of history.

Drawing together distinguished international scholars, this volume offers a unique insight into the social and cultural hybridity of the Uyghurs. It bridges a gap in our understanding of this group, an officially recognized minority mainly inhabiting the Xinjiang Uyghur Autonomous Region of the People's Republic of China, with significant populations also living in the Central Asian states. The volume is comparative and interdisciplinary in focus: historical chapters explore the deeper problems of Uyghur identity which underpin the contemporary political situation; and sociological and anthropological comparisons of a range of practices from music culture to life-cycle rituals illustrate the dual, fused nature of contemporary Uyghur social and cultural identities. Contributions by 'local' Uyghur authors working within Xinjiang also demonstrate the possibilities for Uyghur advocacy in social and cultural policy-making, even within the current political climate.

Featuring engaging articles by some of Canada's finest historians, this expertly crafted volume explores a wide range of topics and social issues - including constructions of gender and social status, participation in labour, access to education and health care, and more. Well-rounded andup-to-date, this new edition provides balanced coverage of pre- and post-Confederation Canada to help students understand how Canadians have interpreted and experienced home, work, and play across time.

In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

This book is an attempt to defend the tradition of universalism in the face of a triple-pronged critique by engaging with the claims of feminism, communitarianism, and postmodernism and by learning from them. It situates reason and the moral self more decisively in contexts of gender and community.