A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most. Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling. Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life. Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.

More than any other male movie star, the refined Clifton Webb (1889-1966) caused the moviegoing public to change its image of a leading man. In a day when leading men were supposed to be strong, virile, and brave, Clifton Webb projected an image of flip, acerbic arrogance. He was able to play everything from a decadent columnist (Laura) to a fertile father (Cheaper by the Dozen and The Remarkable Mr. Pennypacker), delivering lines in an urbanely clipped, acidly dry manner with impeccable timing. Long before his film career began, Webb was a child actor and later a suavely effete song-and-dance man in numerous Broadway musicals and revues. The turning point in his career came in 1941 when his good friend Noël Coward cast him in Blithe Spirit. Director Otto Preminger saw Webb's performance and cast him in Laura in 1944. Webb began to write his autobiography, but he said that he eventually had gotten “bogged down” in the process. However, he did complete six chapters and left a hefty collection of notes that he intended to use in the proposed book. His writing is as witty and sophisticated as his onscreen persona. Those six chapters, information and voluminous notes, and personal research by coauthor David L. Smith provide an intimate view of an amazingly talented man's life and times.

How have white Afrikaans-speaking women responded to the liberating possibilities of constitutional democracy? Have they re-imagined themselves in opposition to colonial ideas of race, gender, sexuality and class? Sitting Pretty explores this postapartheid identity through the concepts of ordentlikheid and the volksmoeder.

Relying on a monthly check doesn't mean living like a pauper. This book will show you how to save smart, spend smart, and live well. You'll learn great tips like how to stop paying property taxes forever - legally; how to maximize your Social Security payouts; and how to pay EVEN LESS at Wal-Mart! Plus, hundreds more money-saving strategies, like the top 5 things you can do to bring down your monthly expenses. It's the financial guidebook you never had, right when you need it most!

Winner of the 2010 Distinguished Publication Award from the Association for Women in Psychology Winner of the 2010 Susan Koppelman Award for the Best Edited Volume in Women’s Studies from the Popular Culture Association A milestone anthology of fifty-three voices on the burgeoning scholarly movement—fat studies We have all seen the segments on television news shows: A fat person walking on the sidewalk, her face out of frame so she can't be identified, as some disconcerting findings about the "obesity epidemic" stalking the nation are read by a disembodied voice. And we have seen the movies—their obvious lack of large leading actors silently speaking volumes. From the government, health industry, diet industry, news media, and popular culture we hear that we should all be focused on our weight. But is this national obsession with weight and thinness good for us? Or is it just another form of prejudice—one with especially dire consequences for many already disenfranchised groups? For decades a growing cadre of scholars has been examining the role of body weight in society, critiquing the underlying assumptions, prejudices, and effects of how people perceive and relate to fatness. This burgeoning movement, known as fat studies, includes scholars from every field, as well as activists, artists, and intellectuals. The Fat Studies Reader is a milestone achievement, bringing together fifty-three diverse voices to explore a wide range of topics related to body weight. From the historical construction of fatness to public health policy, from job discrimination to social class disparities, from chick-lit to airline seats, this collection covers it all. Edited by two leaders in the field, The Fat Studies Reader is an invaluable resource that provides a historical overview of fat studies, an in-depth examination of the movement’s fundamental concerns, and an up-to-date look at its innovative research.

Through anecdotes, advertisements, diaries and museum catalogues, the author presents Sitting Pretty, the history of the toilet and the customs and manners that surround it.

In 1975, Kathy Patterson joins the sorority Gamma Phi Beta, trying to fit into the social climate of James Monroe University. In the same year, Bill Bennett begins his second year in the fraternity Sigma Chi. At the first big party of the year, Kathy and Bill watch silently as a senior Gamma Phi Beta sister, Linda, is sexually assaulted by one of Bill's fraternity brothers as she lays unconscious on the stairs of the fraternity house. Sorority and fraternity teachings enforce different perceptions on what it means to experience sexual assault, but Bill and Kathy both know that the subject is to be approached casually-more commonly, to not be spoken about at all. Sitting Pretty explores the dynamic between men and women in the seventies, the differences in fraternity and sorority teachings, and finding solace in sisterhood. Rebecca Scherr is a fiction writer and a graduate of George Washington Carver Center for Art and Technology's Literary Arts program. At the age of seventeen, her short story, "Ladylike," was awarded first place in the international Jack London Writing Contest. Her poetry, short stories, and personal essays have also been recognized by the Scholastic Art and Writing Awards, where she has won several gold keys, silver keys, and honorable mentions. In her spare time, Scherr enjoys a cup of coffee, walks with her dog, Mock Trial, and an episode of reality television after a long day. While soft-spoken in everyday life, Scherr has future plans to become a lawyer and looks forward to exploring the bolder parts of herself both in the courtroom and on the page. Sitting Pretty is her first novel, but she is certain there will be plenty more of her fiction on the way.