One of the many unique characteristics of the City of New Orleans is the way the people speak. The historical roots of the city, with its African, French, Native American, and Spanish populations, produced everyday words that are still used by some families well into the twenty-first century. Many of these words and expressions might puzzle some people who hear them today. When choosing a title for this little book, there was no difficulty selecting the one used by this writer. Since I believe it conveys the exuberance of playing on the banquette and the tranquility of sitting on the galerie. The word banquette referred to the early sidewalks that lined the streets of New Orleans. Its origin has been attributed to the fact that, in the early French colonial period, the city was plagued with pools of water that settled into wagon tracks and holes in the muddy streets and made foot traffic very difficult.

A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

A Must-Read: The New York Times Book Review and Nylon From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling. You must always be yourself no matter what the price . . . Don’t dare destroy your passion for the sake of others. The Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world. Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max’s Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play. Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: “I shall try to be grateful for life . . . Cannot imagine who would want me.” Candy died at twenty-nine in 1974, just as conversations about gender and identity were beginning to enter the broader culture. She never knew it, but she changed the world. Brimming with all the fizz and wildness of New York in the 1960s and ’70s, this is the first biography of this extraordinary figure—an unintentional pioneer who became an icon. Cynthia Carr’s Candy Darling is packed with tales of luminaries, gossip, and meticulous research, laced with Candy’s words and her friends’ recollections, and signals Candy’s long-overdue return to the spotlight. Includes 16 pages of color photographs

'Roy Strong's diaries are a treasure . . . magnificently readable' THE TIMES 'Essential reading' TATLER 'When it comes to viperish high-society gossip, Roy Strong is in a class of his own' DAILY MAIL In January 2004, where his third volume of Diaries begins, Roy Strong was in a state of deep grief following the death of his wife, Julia Trevelyan Oman, three months earlier. Yet the following years demonstrate his determination, energy and creativity. New ideas for books are brought to fruition, regular forays into the worlds of TV and radio are made, concluding with the Sir Portrait exhibition at the National Portrait Gallery and news of his forthcoming appointment as a Companion of Honour for services to the nation's culture. Encounters with churchmen, politicians, royalty - and friends old and new - are all described with a telling eye for detail and delicious wit. While there is frustration at the changing world around him, Types and Shadows is a hugely informative and entertaining record of a uniquely full and colourful life.

When vintage items go up for auction, gluten-free baker and B&B owner Poppy McAllister discovers some people will pay the ultimate price. . . It’s peak summer season at the Butterfly House Bed and Breakfast in Cape May, with tourists fluttering in and out and wreaking enough havoc to rival a Jersey Shore hurricane. Also back in town is Courtney Whipple and his family of antique dealers for the annual Cold Spring Village antique show. Courtney’s son Auggie has a unique piece he believes will fetch them a fortune if he can get it authenticated in time—a piece rival dealer Grover Prickle insists was stolen from his store. Poppy and her Aunt Ginny attend the auction, hoping to bid on an armoire for the B&B, and discover a veritable armory for sale—everything from ancient blades and nineteenth century guns to such potential killing devices as knitting needles and a blacksmith hammer. Strangely, they don’t see either Auggie or Grover—or the mysterious item they both claim to own. Then during the auction, a body falls out of the very armoire Poppy was hoping to acquire, stabbed through the heart. Now, surrounded by competitive dealers and makeshift weapons, she must find out who turned the auction house into a slaughterhouse . . . Includes Seven Recipes from Poppy’s Kitchen! “Lots of comical characters keep the chuckles coming as the determined Poppy solves a surprisingly difficult puzzle.” —Kirkus Reviews on Midnight Snacks Are Murder

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.