With the sea at its side, the beautiful township of Bostchelan was home to many-including the lovely Coquette de Bellamont, her three sisters, and her beloved father. In Bostchelan, Coquette knew happiness and as much contentment as a young woman whose heart had been broken years before could know. Thus, Coquette dwelt in gladness until the day her father returned from his travels with an astonishing tale to tell. Antoine de Bellamont returned from his travels by way of Roanan bearing a tale of such great adventure to hardly be believed. Further, at the center of Antoine's story loomed a man-the dark Lord of Roanan.Known for his cruel nature, heartlessness, and tendency to violence, the Lord of Roanan had accused Antoine de Bellamont of wrongdoing and demanded recompense. Antoine had promised recompense would be paid-with the hand of his youngest daughter in marriage. Thus, Coquette found herself lost, thrust onto a dark journey of her own. This journey would find her carried away to Roanan Manor-delivered into the hands of the dark and mysterious Lord of Roanan who dominated it.

The sometimes-forgotten valor of the service wife during the Vietnam War years, told through four very different women who come together and find the support they need. The women grapple with what the Vietnam War meant to us as a country and to them personally.

The New Ship of Zion explores the dynamic Diaspora dimensions of the African Hebrew Israelites, a spiritual movement of African Americans who have traced their roots to Zion. With the successful establishment of thriving model communities in Israel and Ghana they have built up a framework for repatriation to the motherland. The resulting constructions of ethnic and cultural identity are the subjects of this book. It also sheds light on the ideological concepts of other communities that travel the same waters as the New Ship of Zion, such as the Rastafarians.

This book focuses on the autobiographical poetry of early twentieth century author Antonia Pozzi and her lifelong friend and fellow poet, Vittorio Sereni. Antonia Pozzi, an author whose popularity in Italy has increased dramatically in the past few years, was a young girl during the First World War. She was born into a wealthy and influential family, and, after the rise of Fascism, her father was a prominent state official. In 1938 Pozzi committed suicide at the age of twenty-six. Her major collection of poems, Parole, was published posthumously. Pozzi’s best friend, "brother" and most devoted confidant, Vittorio Sereni, is a more recognizable figure in Italian literary history. Born in 1913, a year after Pozzi, he served in the Italian Army during World War II, and was held in an allied prison camp in Algeria during the last years of the war. While Sereni is by far the better-known author, his response to the war experience and, particularly, to imprisonment recalls Pozzi’s work on a number of levels. In the “diaries” of both authors, autobiography functions as a means of constantly reasserting the self as a unique and separate individual against the totalizing forces of Fascist propaganda.