Perhaps the most vital, emotionally complex, and lasting attachments between women occur between sisters. Whether as best friends or antagonists, "sisters remain entangled in a common tapestry of mutual experience and remembrance, family and history," according to author Eva Rueschmann. Although many of the women-centered films in the last three decades depict the relationship between sisters as a pivotal aspect of a character's psychological development, the now substantial body of feminist film criticism has not taken up this theme in any sustained way. InSisters on Screen, Eva Rueschmann explores the sister bond in a wide range of modernist feature films that depart from the conventional cinematic rendering of women's lives. Drawing on the psychoanalytic concept of intersubjectivity, this book emphasizes the role of a woman's relationship and inner world in her continual quest for self-knowledge. Offering an original and absorbing perspective on women's filmic images,Sisters on Screenreveals how post-1960s cinema has articulated the ways in which biological sisters negotiate mutuality and difference, co-author family histories, and profoundly shape each other's political and personal identities. The films in focus question standards of femininity as they probe into memory, fantasy, and desire, bringing women's realities into view in the process. Structuring her discussion in terms of life-cycle stages—adolescence and adulthood—Rueschmann offers an in-depth discussion of such films asAn Angel at My Table,Double Happiness,Eve's Bayou,Gas Food Lodging,Heavenly Creatures,Little Women,Marianne and Julianne,Paura e amore,Peppermint Soda,The Silence,Sweetie, andWelcome to the Dollhouse. Rueschmann draws upon the works of filmmakers from the 1970s to the 1990s. Some of the directors included in her study are Allison Anders, Gillian Armstrong, Ingmar Bergman, Jane Campion, Peter Jackson, Mina Shum, Diane Kurys, Kasi Lemmons, Todd Solondz, and Margarethe von Trotta.Sisters on Screenwill appeal to anyone interested in women's studies, film studies, psychology, psychoanalytic readings of cinema, women directors, and international modern film. Author note:Eva Rueschmannis Assistant Professor of Cultural Studies at Hampshire College.

Whilst it is not possible to generalise about the role of African women in cinema, there is, nonetheless, evidence that a growing number of women from all parts of the continent are becoming engaged in the various mediums of film, video and television. This book looks at the diverse experiences of both female film pioneers and women film students; through a series of interviews the author discovers what motivated these women to take up film and discusses both the creative aspects of their work and their broader political concerns.

A sharp and entertaining essay collection about the importance of multiple forms of love and friendship in a world designed for couples, from a laser-precise new voice. Sometimes it seems like there are two American creeds, self-reliance and marriage, and neither of them is mine. I experience myself as someone formed and sustained by others' love and patience, by student loans and stipends, by the kindness of strangers. Briallen Hopper's Hard to Love honors the categories of loves and relationships beyond marriage, the ones that are often treated as invisible or seen as secondary--friendships, kinship with adult siblings, care teams that form in times of illness, or various alternative family formations. She also values difficult and amorphous loves like loving a challenging job or inanimate objects that can't love you back. She draws from personal experience, sharing stories about her loving but combative family, the fiercely independent Emerson scholar who pushed her away, and the friends who have become her invented or found family; pop culture touchstones like the Women's March, John Green's The Fault in Our Stars, and the timeless series Cheers; and the work of writers like Joan Didion, Gwendolyn Brooks, Flannery O'Connor, and Herman Melville (Moby-Dick like you've never seen it!). Hard to Love pays homage and attention to unlikely friends and lovers both real and fictional. It is a series of love letters to the meaningful, if underappreciated, forms of intimacy and community that are tricky, tangled, and tough, but ultimately sustaining.

Join Kyra and her sisters as they fight the mysterious forces of the forest, and the challenges of drifting apart with age, perfect for transitional readers aging out of the Hilda Graphic Novel series. "A magical, moving celebration of sisterly bonds." —Kirkus Reviews “A sweet story that explores the changing relationships between siblings wrapped in a beautiful fantasy world. A solid read both for those coping with puberty as well as with their younger siblings.” —School Library Journal "In swirling, bold-hued panels, animator Spaaij conjures a liminal space as Margot hovers on the brink of a mystical womanhood in this alluringly high-pitched drama." —Publishers Weekly "Beautiful, funny and atmospheric, using magic to capture the shifts in sibling dynamics as an eldest sister becomes a teenager. Full of personality and life." —Gillian Goerz, Author of the 'Shirley and Jamila' series "It’s not often my kids fight over books but I had to referee turns over this, always the sign of an intriguing book right?" —Kids Lit is Lit Frygea Forest... An ancient and mystical place where trolls lurk in the mossy spaces between tree trunks and changelings scamper about, causing mischief. A place that Kyra and her sisters Margot and Janna return to every year to spend the summer at their grandma’s farm: roasting marshmallows, catching frogs and befriending tiny, grumpy root goblins. But this summer is different, and as teenage Margot drifts apart from her sisters, slamming doors and keeping secrets, Kyra starts to worry. When Margot is enticed into the woods by the mysterious figures in the mist, Kyra resolves to do everything in her power to save her sister from danger, even if that means facing the spooky forces within Frygea Forest with just her kid sister for help. In this lively coming-of-age graphic novel, you’ll never have to let go of the imagination that keeps you young. And if you’re careful, and ever so quiet, you might spot a root goblin marching along the ground, or a glittering alf darting amongst the leaves...

Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.

Key Selling Points In Heart Sister, a teen filmmaker, reeling from the loss of his twin sister, tries to track down the recipients of her organs. Explores themes of grief and loss and how families cope in the face of inconceivable tragedy. Governor General Award–winning author Caroline Pignat describes it as “raw, real and riveting...a powerful story of hope.” The author is also a screenwriter, which is reflected in the book’s unique structure. A few years ago, the author's brother received a new heart. This story is written in gratitude to the (still anonymous) family of the young woman who gave him a new lease on life.

In this epistolary middle-grade debut, a girl who's questioning her sexual orientation writes letters to her sister, who was sent away from their strict Catholic home after becoming pregnant.