"Sister Corita's Summer of Love Sister Corita's Summer of Love surveys the graphic art of Sister Corita Kent (1918 - 1986), an unsung figure in pop art. Sister Corita was a Roman Catholic nun. From 1936 to 1968, she lived, worked and taught at the Immaculate Heart of Mary, in Los Angeles, heading their art department from 1964 to 1968. In the 1960s, she became famous for her distinctive screenprints, with their graphic treatments of words, in bold, often fluoro, colours. A magpie, Corita drew on the language of advertising and packaging, signs and slogans, poetry and lyrics, to develop her own messages of joy, faith, love and protest. Her works supported the civil-rights movement, protested the wars in Indo-China and Southeast Asia, and lamented the assassinations of American political leaders."--Publisher's description.

This full-scale survey of Corita Kent's work includes prints and ephemera from all phases of her life, revealing her importance as an activist printmaker and a sylistic innovator in graphic design. Artist, activist, teacher, and devout Catholic Corita Kent (1918-1986) eloquently combined her passions for faith and politics during her rich and varied career. As a teacher at LA's Immaculate Heart College, she fostered a creative and collaborative arts community and developed an interest in printmaking. Her posters, murals, and signature serigraphs combined messages of love and faith with images from popular culture and inventive use of type and color. For Kent, printmaking was a populist medium to communicate with the world around her. This activist spirit came most alive in the 1960s, when her posters and murals addressed subjects like racism and poverty, U.S. military brutalities in Vietnam, and conflicts between radical and conservative positions in the Catholic Church. Even after the war, and after she had left the church, she continued to be active in Boston's urban issues, producing prints and commissioned works until her death in 1986. Full of the lively, colorful work that was so iconically hers, this volume presents four decades of a life dedicated to serving others through and with the language of art. This book accompanies a traveling exhibition: Museum of Contemporary Art Cleveland, Cleveland, Ohio June 6 - August 31, 2014 Baker Museum at Artis-Naples, Naples, Florida September 27, 2014 - January 4, 2015 The Andy Warhol Museum, Pittsburgh, Pennsylvania January 31 - April 19, 2015 Pasadena Museum of California Art, Pasadena, California June 14 - November 1, 2015

Exhibition catalog published in conjunction with the exhibition held at the Harvard Art Museums, Cambridge, Massachusetts, September 3, 2015-January 3, 2016 and at the San Antonio Museum of Art, San Antonio, Texas, February 13-May 8, 2016.

An essential guide to cultivating joy in your professional and personal writing Writing should be a pleasurable challenge, not a painful chore. Writing with Pleasure empowers academic, professional, and creative writers to reframe their negative emotions about writing and reclaim their positive ones. By learning how to cast light on the shadows, you will soon find yourself bringing passion and pleasure to everything you write. Acclaimed international writing expert Helen Sword invites you to step into your “WriteSPACE”—a space of pleasurable writing that is socially balanced, physically engaged, aesthetically nourishing, creatively challenging, and emotionally uplifting. Sword weaves together cutting-edge findings in the sciences and social sciences with compelling narratives gathered from nearly six hundred faculty members and graduate students from across the disciplines and around the world. She provides research-based principles, hands-on strategies, and creative “pleasure prompts” designed to help you ramp up your productivity and enhance the personal rewards of your writing practice. Whether you’re writing a scholarly article, an administrative email, or a love letter, this book will inspire you to find delight in even the most mundane writing tasks and a richer, deeper pleasure in those you already enjoy. Exuberantly illustrated by prizewinning graphic memoirist Selina Tusitala Marsh, Writing with Pleasure is an indispensable resource for academics, students, professionals, and anyone for whom writing has come to feel like a burden rather than a joy.

On a September night in 1971, a few days after getting busted for dropping two of the 127 hits of acid found in a friend's shoe, a sixteen-year-old who is grounded for a year curls up in the corner of her ratty bedroom, picks up a pen, and begins to write. Once upon a cruddy time on a cruddy street on the side of a cruddy hill in the cruddiest part of a crudded-out town in a cruddy state, country, world, solar system, universe. The cruddy girl named Roberta was writing the cruddy book of her cruddy life and the name of the book was called Cruddy. Now the truth can finally be revealed about the mysterious day long ago when the authorities found a child, calmly walking in the boiling desert, covered with blood. She could not give the authorities any information about why she was the only survivor and everyone else was lying around in hacked-up pieces. Roberta Rohbeson, 1971. Her overblown, drug-induced teenage rant against a world bounded by "the cruddy top bedroom of a cruddy rental house on a very cruddy mud road behind cruddy Black Cat Lumber" soon becomes a detailed account of another story. It is a story about which Roberta has kept silent for five years, until, under the influence of a pale hippie called the Turtle and a drug called Creeper, her tale giddily unspools... Roberta Rohbeson, 1967. The world of Roberta, age eleven, is terrifyingly unbounded, a one-way cross-country road trip fueled by revenge and by greed, a violent, hallucinatory, sometimes funny, more often horrific year of killings, betrayals, arson, and a sinister set of butcher knives, each with its own name. Welcome to Cruddy, Lynda Barry's masterful tale of the two intertwined narratives set five years -- an eternity -- apart, which form the backbone of Roberta's life. Cruddy is a wild ride indeed, a fairy tale-cum-low-budget horror movie populated by a cast of characters that will remain vivid in the reader's mind long after the final page: Roberta's father, a dangerous alcoholic and out-of-work meat cutter in search of his swindled inheritance; the frightening owners of the Knocking Hammer Bar and sometime slaughterhouse; and two charming but quite mad escapees from the Barbara V. Herrmann Home for Adolescent Rest. Written with a teenager's eye for freakish detail and a nervous ability to make the most horrible scenes seem hilarious, Roberta's two stories -- part Easy Rider and part bipolar Wizard of Oz -- painfully but inevitably converge in a surprising denouement in a nightmarish Dreamland in the Nevada desert. By turns terrifying, darkly funny, and resonant with humanity, propelled by all the narrative power of a superior thriller and burnished by the author's pitch-perfect ear for dialogue, Cruddy is a stunning achievement.

A collection of works from the groundbreaking grantLOVE philanthropic art project What is love? In LOVE: A Visual History of the grantLOVE Project, artist Alexandra Grant’s exploration of that question is documented through a retrospective of her journey engaging in civic art. In 2008, Grant began making editions of her art based on the concept of love and her trademarked LOVE symbol to raise money for arts projects and nonprofit organizations, and this philanthropic art experiment became the grantLOVE project. Partnering with other artists, makers, customers, and to support art projects and nonprofits, Grant explores how philanthropy and art can effectively intersect. This comprehensive history of the grantLOVE project—complete with paintings, prints, sculptures, textiles, jewelry, and architecture—provides a visual meditation on what “love” is, as conceived by Grant and the numerous collaborators showcased here. Compiling more than fourteen years of grantLOVE works and partnerships, this book invites you to reflect on the confluence of philanthropy and the arts and celebrates building community around the roles of love and empathy in contemporary art and culture.

When I Loved Myself Enough began as one woman's gift to the world, hand-made by Kim McMillen. Book by book, reader by reader, When I Loved Myself Enough was passed along from friend to friend, shared by parents with their children, and given as a gift at special occasions. As word spread, it's heartfelt honesty and universal truths won it a growing following. It brings to life simple, profound, and undeniable truths: our time on earth is limited, we are never alone, and loving others always begins with loving ourselves. The best way to experience the peace and quiet joy of When I Loved Myself Enough is to: *Read the book in order from page to page *Read to the very end You will see the simple, illuminating power of this special book.