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The British architect Sir Edwin Lutyens (1869-1944) designed 140 cemeteries in the countryside of Flanders and Northern France for soldiers killed in the First World War. The cemeteries can be regarded as an imprint, as it were, of the former battlefront on the map of Europe. All are designed to principles established beforehand, including uniform gravestones, a large Stone of Remembrance and a large cross. Yet the difference in size, alignment and provenance make them all unique variations on the themes in question. The most memorable aspects are their meticulously chosen position in the landscape, the varied selection of trees and other greenery and the architecture of the entrance and shelter buildings. This illustrated book charts the history of the designs and exposes the underlying principle of order and variation in the architecture in an exhaustive landscape-architectural analysis. All 140 cemeteries are fully documented with references to the places where they are to be found.

Money and, by the middle of the century, making him the best-known artist in Britain."--BOOK JACKET.

Reprint of the original, first published in 1883.

Delve into the captivating world of Victorian artistry with "Sir Edwin Landseer" by Frederick G. Stephens, a comprehensive exploration of the life and work of one of Britain's most renowned painters. Join Frederick G. Stephens as he offers readers a fascinating glimpse into the life and artistic legacy of Sir Edwin Landseer, a visionary painter whose mastery of the brush captivated audiences and left an indelible mark on the art world. In this meticulously researched biography, Stephens delves into Landseer's early years, his rise to prominence, and his enduring influence on the Victorian art scene. As you delve into the pages of "Sir Edwin Landseer," you'll be treated to a richly illustrated journey through Landseer's most iconic works, from his majestic animal portraits to his evocative depictions of the British countryside. Stephens' insightful commentary offers readers a deeper understanding of Landseer's artistic vision, his technical prowess, and his enduring impact on the genre of animal painting. Themes of artistic innovation, cultural identity, and the intersection of art and society permeate the narrative of "Sir Edwin Landseer," inviting readers to reflect on the role of the artist in shaping our perceptions of the natural world and our place within it. Through Landseer's brushstrokes, Stephens reveals the power of art to provoke thought, evoke emotion, and inspire wonder in the hearts of viewers. The overall tone of the biography is one of reverence and admiration, with Stephens' prose infused with a deep appreciation for Landseer's artistic genius and his contributions to the Victorian cultural landscape. His writing is characterized by its erudition, its eloquence, and its keen insight into the life and work of one of Britain's most celebrated painters. Since its publication, "Sir Edwin Landseer" has been hailed as an authoritative account of the artist's life and legacy, revered for its meticulous research and engaging narrative style. Its enduring popularity and continued relevance make it essential reading for anyone interested in the history of British art and the enduring appeal of Landseer's timeless masterpieces. Whether you're a seasoned art enthusiast, a student of Victorian history, or simply someone who appreciates the beauty of the natural world, "Sir Edwin Landseer" offers a captivating and enlightening journey through the life and work of a true master of the brush. Don't miss your chance to immerse yourself in this compelling biography. Grab your copy now and prepare to be inspired by the artistic brilliance of Sir Edwin Landseer.

From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.