Individuals of all persuasions have become deeply interested in contemporary Sioux religious practices. These essays by tribal religious leaders, scholars, and other members of the Sioux communities in North and South Dakota deal with the more important questions about Sioux ritual and belief in relation to history, tradition, and the mainstream of American life. Contents: (1) "Lakota Belief and Ritual in the Nineteenth Century," by Raymond J. DeMallie; (2) "Lakota Genesis: The Oral Tradition," by Elaine A. Jahner; (3) "The Sacred Pipe in Modern Life," by Arval Looking Horse; (4) "The Lakota Sun Dance: Historical and Contemporary Perspectives," by Arthur Amiotte; (5) "The Establishment of Christianity Among the Sioux," by Vine V. Deloria, Sr.; (6) "Catholic Mission and the Sioux: A Crisis in the Early Paradigm," by Harvey Markowitz; (7) "Contemporary Catholic Mission Work Among the Sioux," by Robert Hilbert, S.}.; (8) "Christian Life Fellowship Church," by Mercy Poor Man; (9) "Indian Women and the Renaissance of Traditional Religion," by Beatrice Medicine; (10) "The Contemporary Yuwipi," by Thomas H. Lewis, M.D.; (11) "The Native American Church of Jesus Christ," by Emerson Spider, Sr.; (12) "Traditional Lakota Religion in Modern Life," by Robert Stead, with an Introduction by Kenneth Oliver; Suggestions for Further Reading; Bibliography.

Surveys past and present religious beliefs and practices of the Oglala Sioux, relating them to Oglala social and cultural identity and the preservation of that identity

During the winter of 1947, Black Elk, the Oglala Sioux holy man, related to Joseph Brown seven of the sacred Oglala traditions, including such revered rites as "The Keeping of the Soul", "The Rite of Purification", and "Preparing for Womanhood". The San Francisco Chronicle calls The Sacred Pipe "a valuable contribution to American Indian literature".

Classic of American anthropology explores messianic cult behind Indian resistance, from Pontiac to the 1890s. Extremely detailed and thorough. Originally published in 1896 by the Bureau of American Ethnology. 38 plates, 49 other illustrations.

The definitive account of the Ghost Dance religion, which led to the infamous massacre at Wounded Knee in 1890 Winner of the Bancroft Prize in American History In 1890, on Indian reservations across the West, followers of a new religion danced in circles until they collapsed into trances. In an attempt to suppress this new faith, the US Army killed over two hundred Lakota Sioux at Wounded Knee Creek. In God's Red Son, historian Louis Warren offers a startling new view of the religion known as the Ghost Dance, from its origins in the visions of a Northern Paiute named Wovoka to the tragedy in South Dakota. To this day, the Ghost Dance remains widely mischaracterized as a primitive and failed effort by Indian militants to resist American conquest and return to traditional ways. In fact, followers of the Ghost Dance sought to thrive in modern America by working for wages, farming the land, and educating their children, tenets that helped the religion endure for decades after Wounded Knee. God's Red Son powerfully reveals how Ghost Dance teachings helped Indians retain their identity and reshape the modern world.

Briefly traces the history of the Sioux along with their customs and culture.

2021 Scholarly Writing Award in the Saskatchewan Book Awards This book presents two of the most important traditions of the Dakota people, the Red Road and the Holy Dance, as told by Samuel Mniyo and Robert Goodvoice, two Dakota men from the Wahpeton Dakota Nation near Prince Albert, Saskatchewan, Canada. Their accounts of these central spiritual traditions and other aspects of Dakota life and history go back seven generations and help to illuminate the worldview of the Dakota people for the younger generation of Dakotas, also called the Santee Sioux. "The Good Red Road," an important symbolic concept in the Holy Dance, means the good way of living or the path of goodness. The Holy Dance (also called the Medicine Dance) is a Dakota ceremony of earlier generations. Although it is no longer practiced, it too was a central part of the tradition and likely the most important ceremonial organization of the Dakotas. While some people believe that the Holy Dance is sacred and that the information regarding its subjects should be allowed to die with the last believers, Mniyo believed that these spiritual ceremonies played a key role in maintaining connections with the spirit world and were important aspects of shaping the identity of the Dakota people. In The Red Road and Other Narratives of the Dakota Sioux, Daniel Beveridge brings together Mniyo and Goodvoice's narratives and biographies, as well as songs of the Holy Dance and the pictographic notebooks of James Black (Jim Sapa), to make this volume indispensable for scholars and members of the Dakota community.