Apologetics, the defense of the Faith, shows why our Christian faith is true—but it’s much more than that. Apologetics isn’t just the province of scholars and saints, but of ordinary men and women: parents, teachers, lay ministry leaders, pastors, and everyone who wants to develop a stronger faith, to understand why we believe what we believe, to know Our Lord better, and love him more fully. In Apologetics and the Christian Imagination: An Integrated Approach to Defending the Faith, Holly Ordway shows how an imaginative approach—in cooperation with rational arguments—is extremely valuable in helping people come to faith in Christ. Making a case for the role of imagination in apologetics, this book proposes ways to create meaning for Christian language in a culture that no longer understands words like ‘sin’ or ‘salvation,' suggests how to discern and address the manipulation of language, and shows how metaphor and narrative work in powerful ways to communicate the truth. It applies these concepts to specific, key apologetics issues, including suffering, doubt, and longing for meaning and beauty. Apologetics and the Christian Imagination shows how Christians can harness the power of the imagination to share the Faith in meaningful, effective ways.

LitHub/CrimeReads best new debut selection Popsugar Book Club best new thrillers selection Winner of the 2020 American Fiction Award for Thriller: Crime from American Book Fest Sins of the Bees blends the majesty and mystery of Where the Crawdads Sing with the character explorations of The Girls to present the lives of two very different women and their tumultuous interactions with a dangerous doomsday cult. Other than her bonsai trees, twenty-year-old arborist Silvania August Moonbeam Merigal is alone in the world. After first her mother dies and then her grandfather—the man who raised her and the last of her family—Silva suffers a sexual assault and becomes pregnant. Then, ready to end her own life, she discovers evidence of a long-lost artist grandmother, Isabelle. Desperate to remake a family for herself, Silva leaves her island home on the Puget Sound and traces her grandmother’s path to first a hippie beekeeper named Nick Larkins, and then to a religious, anti-government, Y2K cult embedded deep in the wilds of Hells Canyon. Len Dietz is the charismatic leader of the Almost Paradise compound, a place full of violence and drama: impregnated child brides called the Twelve Maidens, an armed occupation of a visitor’s center, shot-up mountain sheep washing up along with a half-drowned dog, and men transporting weapons in the middle of the night. As Isabelle paints portraits of Len Dietz and the Twelve Maidens ceremonially progressing toward their group marriage on the prophesized end of the world—January 1, 2000, the new millennium—Silva moves ever closer to finding her grandmother in Hells Canyon and finds herself drawn Nick, whose life is also irrevocably tied to Len Dietz. As tensions erupt into violence, Silva, Isabelle, Nick, and the members of Almost Paradise find themselves disastrously entangled. And like the ancient bonsai struggling to navigate territories both new and old, Silva is forced to face both her own history of loss, and the history of loss she’s stepped into: ruinous stories of family that threaten to destroy them all.

The Creative Use of Imagination (Illustrated) by Neville Goddard is a profound exploration into the boundless power of the human mind. Neville Goddard, a revered figure in the realm of metaphysics and personal development, unveils the transformative potential of imagination in shaping our reality. In this illustrated masterpiece, Goddard's timeless teachings are brought to life through captivating visuals, enhancing the understanding and application of his profound insights. Through eloquent prose and vivid imagery, he reveals the secrets to unlocking the creative force within each of us. From manifesting dreams into reality to rewriting the script of our lives, each page of The Creative Use of Imagination is a revelation in the art of conscious creation. Goddard's lucid explanations and compelling illustrations make complex concepts accessible to all, empowering readers to harness the power of their imagination for personal transformation. Whether you seek to achieve your goals, overcome obstacles, or cultivate a deeper understanding of yourself, The Creative Use of Imagination serves as your indispensable guide. Dive into its pages and unleash the limitless potential of your mind. Embark on a journey of self-discovery and empowerment with The Creative Use of Imagination by Neville Goddard. Let its illustrated pages inspire you to awaken your creative genius and manifest the life of your dreams.

Volume 21 Sermons 1210-1270 Charles Spurgeon (19 June 1834 – 31 January 1892) is one of the church’s most famous preachers and Christianity’s foremost prolific writers. Called the “Prince of Preachers,” he was one of England's most notable ministers for most of the second half of the nineteenth century, and he still remains highly influential among Christians of different denominations today. His sermons have spread all over the world, and his many printed works have been cherished classics for decades. In his lifetime, Spurgeon preached to more than 10 million people, often up to ten times each week. He was the pastor of the congregation of the New Park Street Chapel (later the Metropolitan Tabernacle) in London for 38 years. He was an inexhaustible author of various kinds of works including sermons, commentaries, an autobiography, as well as books on prayer, devotionals, magazines, poetry, hymns and more. Spurgeon was known to produce powerful sermons of penetrating thought and divine inspiration, and his oratory and writing skills held his audiences spellbound. Many Christians have discovered Spurgeon's messages to be among the best in Christian literature. Edward Walford wrote in Old and New London: Volume 6 (1878) quoting an article from the Times regarding one of Spurgeon’s meetings at Surrey: “Fancy a congregation consisting of 10,000 souls, streaming into the hall, mounting the galleries, humming, buzzing, and swarming—a mighty hive of bees—eager to secure at first the best places, and, at last, any place at all. After waiting more than half an hour—for if you wish to have a seat you must be there at least that space of time in advance—Mr. Spurgeon ascended his tribune. To the hum, and rush, and trampling of men, succeeded a low, concentrated thrill and murmur of devotion, which seemed to run at once, like an electric current, through the breast of every one present, and by this magnetic chain the preacher held us fast bound for about two hours. It is not my purpose to give a summary of his discourse. It is enough to say of his voice, that its power and volume are sufficient to reach every one in that vast assembly; of his language, that it is neither high-flown nor homely; of his style, that it is at times familiar, at times declamatory, but always happy, and often eloquent; of his doctrine, that neither the 'Calvinist' nor the 'Baptist' appears in the forefront of the battle which is waged by Mr. Spurgeon with relentless animosity, and with Gospel weapons, against irreligion, cant, hypocrisy, pride, and those secret bosom-sins which so easily beset a man in daily life; and to sum up all in a word, it is enough to say of the man himself, that he impresses you with a perfect conviction of his sincerity.” More than a hundred years after his death, Charles Spurgeon’s legacy continues to effectively inspire the church around the world. For this reason, Delmarva Publications has chosen to publish the complete works of Charles Spurgeon.