Two young people from foreign lands meet in a shop in Cambridge: Brani Tawo, a Kurdish political refugee from Turkey, and Feruzeh, who had fled to the UK from revolutionary Iran. Slowly, their love begins to grow, fed by stories, a shared love of literature and a subtle recognition of their mutual displacement.

Experts from a variety of fields join forces to show what fuels a most horrific violation of trust—sexual abuse by priests—and how the Church and church structure play a role in this abuse. This riveting work includes chapters by a former Director of the premiere U.S. facility treating clergy who are sexual offenders, by a Jesuit psychologist who authored the largest study of clergy sexual abusers ever completed, and from a Vatican Correspondent explaining the issues as seen by the Vatican. The text also includes an opening chapter by Michael Rezendes, a Boston Globe investigative reporter and member of the Spotlight Team that won the Pulitzer Prize for breaking the story of sexual abuse by clergy. A statement by the Executive Director of SNAP, the national support group for victims of clergy sexual abuse, is also included. This is the first book that gathers experts from a variety of fields to offer thoughtful, objective perspectives regarding what we know about sexual abuse by clergy and what we can do to solve the problem. Attention is given not only to psychological aspects of both the perpetrators and victims, but also to canon law, clergy misconduct review boards, the sexual/celibate agenda of the Church, the challenges for treatment facilities, and barriers to resolution that exist within the Roman Catholic Church.

Abandoned as a child, the stately mansion Dana Grantham called home symbolized the security she so desperately wanted. She dreamed of a future within its four walls until a shameful scandaland billionaire Zac Belisandro drove her away. Now Dana has the opportunity to return to the life she craves, but she comes face-to-face with Zac. He's tainted her life once before, and now he has an outrageous propositionhe'll give Dana her heart's desire if she gives him her hand in marriageand her innocence on their wedding night!"

Two young people from foreign lands meet in a shop in Cambridge: Brani Tawo, a Kurdish political refugee from Turkey, and Feruzeh, who had fled to the UK from revolutionary Iran. Slowly, their love begins to grow, fed by stories, a shared love of literature and a subtle recognition of their mutual displacement. Brani Tawo narrates vignettes from his family history, vivid tales that evoke old legends: shepherds struck by lightning, soldiers returning home with war trauma, blood feuds that destroy families, bears mauling villagers in search of stolen cubs and a photographer who carries news to t.

War: Since the dawn of history, people have fought against other people. Any struggle in which two large groups try to destroy or conquer each other is war. Families have fought against families, tribes against tribes, followers of one religion against followers of another, even the inner soul of a person can be intertwined against itself. War comes in many different types, social, physical, mental, and spiritual. War for the Land to Live on, War for Wealth, War for Power, War for Security, War for Faith, and War for Love. For the Earl family, all of these will be put to the test.

“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets of Istanbul, four prisoners—Demirtay the student, the doctor, Kamo the barber, and Uncle Küheylan—sit, awaiting their turn at the hands of their wardens. When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground. Despite its apparently bleak setting, this novel—translated into seventeen languages—is about creation, compassion, and the ultimate triumph of the imagination.